Problematic Faves: Why I Love Them, Why They’re Problematic, and Why I Give Them Passes

Introduction

To me, the term “problematic fave” is a bit redundant, especially when in reference to a celebrity. Almost everyone and everything is “problematic” in some way, or has been in the past. Generally, I see people use the phrase when trying to justify liking a harmful celebrity’s media output.

However, it does serve a purpose in my personal vocabulary. If something is obviously problematic, but not egregiously so, then I might consider it a problematic fave.

Read on to discover a few of my favorite yet flawed pieces of media—things I would only recommend along with a few caveats/warnings. Instead of discussing problematic people or communities, I’ve tried to focus on media or art that has its issues without considering the creator (e.g., panic! at the disco or Taylor Jenkins Reid) or industry (e.g., K-pop or reality TV). The question of whether art can exist without context is a whole other warehouse full of cans of worms…

Lastly, before I get into this short and incomplete list, here’s my reminder to enjoy whatever you enjoy as long as you’re not hurting anyone! We’ve got to take advantage of the good moments whenever they appear.

Psych, TV series (2006-2014)

What It’s About: Psych is a TV series that follows Shawn Spencer as he uses his extraordinary observing and deductive skills to work as a fake psychic detective. He starts an agency with his best friend and pharmaceutical salesman, Gus, and often goes to his similarly skilled dad for advice. Every episode starts with a flashback to Shawn’s childhood in which he learns a lesson from his dad that becomes relevant in some way to the episode’s story.

Why It’s Problematic:By nature of being a detective show, Psych is inherently pro-cop and without much nuance. Sure, there are a few instances of “dirty cops” getting their comeuppance, but Shawn’s dad, Henry, is so pro-cop that being in law enforcement is part of his identity and even parenting style. There’s also the issue of Detective Lassiter, who is the pro-gun, anti-climate change, right wing, sometimes offensively un-PC head detective. In early seasons, he is often very sexist, as well.

Along with these are the usual bigotries of the aughts: fatphobia and diet culture, transphobia, homophobia, micro- and macro-aggressions against BIPOC, and ableism (especially when considering neurodivergent people). There are two particular episodes I regularly skip when rewatching that have to do with transphobia, ableism and unhealthy boundary-pushing.   

Why I Love It:First of all, I love a Sherlock Holmes retelling that’s well done. The source material is more obvious in early seasons but it’s clear in Shawn’s hyper-observance and otherworldly deductive skills. He’s both suave and socially awkward at the same time, like Holmes, but he is much funnier.

This show is hilarious! It has as many pop culture references as Gilmore Girls (another problematic fave of mine), and that’s saying something. I love rewatching the show and realizing I understand a few more of the references; it feels like I’m in on a joke with the characters. Plus, this show has a Black lead (and Gus is inarguably the most relatable character) and two women in high-ranking positions in law enforcement.

Why I Give It a Pass:While his character development is not perfect by any means, Detective Lassiter does become more likeable and accepting as the series goes on—he marries a rehabilitated felon (i.e., loses his black and white view of criminality and innocence) and ends up accepting his mother’s girlfriend as part of his family. There are a couple episodes that directly tackle Shawn’s commitment and behavioral issues, as well.

This is a small thing, but whenever people assume Shawn and Gus are dating and not just friends, it’s often played off in a funny way that doesn’t belittle gay relationships (e.g., a former high school classmate assuming they’re dating and Shawn saying that the reason they don’t date is because Gus was voted “Most Likely to Succeed,” not that they’re two guys). This is, after all, a comedy show, so it leans into humor more often than hard-hitting issues. Sometimes, that’s just what I need.

Gravitation by Maki Murakami, manga series (1995-2000)

What It’s About: Gravitation is a yaoi (or “boys love”) manga aboutShuichi Shindou and his best friend Hiroshi, who want to blow up in the electronic music scene in Japan. As they gain popularity, their band, Bad Luck, develops rivalries with two bands, one of which is well-established and an inspiration to the members of Bad Luck. While they navigate their music career, Shuichi falls in love with romance novelist Eiri Yuki, who is standoffish and secretive. They become lovers, which causes problems for both of their careers and public-facing personas.

Why It’s Problematic: The main problem I have with this story is the obvious one: the age gap between the main couple. One is a boy just out of high school who is emotionally immature and trying to make his dream come true. The other is a rich womanizer in his mid-twenties who already has an established career as a romance novelist. There is an element of emotional abuse in the relationship, and mild sexual abuse as well. There’s even a storyline in which a rival band has Shuichi sexually assaulted just to try to ruin his reputation. The story also tends to infantilize Shuichi, even in the art style, because he is extremely expressive and loves unconditionally.

Beyond all of the problematic characters and character dynamics, there’s also the matter of the blatant homophobia and outdated vocabulary (e.g., using the r word) that comes from the 1990s Japan setting. Shuichi and Yuki don’t consider themselves gay or bisexual despite their relationship; they’re just two “straight” guys who happened to fall in love with a man. There are even instances of Shuichi calling himself Yuki’s “wife” and using other heteronormative vocabulary to describe their relationship.

Why I Love It: The mangaka (the creator/author/illustrator) includes little notes at the beginning of each chapter about her process, certain decisions, and what readers have said to her about the manga in the past. I am always interested in creators’ processes, especially because I find it difficult to articulate my own. But mostly I was drawn into the story because it involves a young indie band in the music industry, quirky characters who aren’t afraid to be themselves, found family dynamics, and a grumpy-sunshine relationship between two people in very different parts of the public eye. It’s a recipe for a Ryn fave that just happens to have a few unsavory ingredients I could do without.  

Why I Give It a Pass: To be honest, this is the one I’m most nervous to write about because I only recently began reading this manga. Like a couple months ago recently. Absolutely no personal nostalgia involved. I randomly bought the first two volumes and, despite all of its flaws, found myself enjoying the story. I mostly gave this a pass because I just have fun reading it.

In the mangaka’s little chapter notes, she talks about the problematic aspects of characters and her concerns when writing certain storylines, and while I wish these discussions were a bit longer than a couple sentences, it takes a lot of guts to give commentary on your own art that’s already been sent out into the world. It makes me feel a little better knowing that the mangaka admits to just going with her whims while creating this manga and isn’t afraid to criticize her past decisions even while standing by her work.

Monk, TV series (2002-2009)

What It’s About: Adrian Monk has a severe case of OCD which was exacerbated by his wife’s violent and unsolved murder. With the help of his assistant (Sharona and then Natalie) and his experience as a former police officer, he uses his hyper-observance skills to help the San Francisco police department with tricky murder investigations.

Why It’s Problematic: A lot of my dislikes of Monk will be similar to those I mentioned about Psych. There is the pro-cop propaganda, although I would argue that Captain Stottlemeyer is much worse than Lassiter. Stottlemeyer does not become less violent, and in fact often loses his temper and betrays his friends. If he weren’t someone Adrian Monk respected, his character would easily be a dirty cop that gets investigated for brutality. There is one episode that deals with an investigation into an alcoholic cop, but this one ends in that cop being reinstated as a detective with no consequences… Much more like real life, huh?

The fatphobia is also a lot more obvious in this show. One of the main villains is a morbidly obese man called “Dale the Whale.” Dale is a terrible person, just very scummy, but him being fat has nothing to do with that. It’s just a classic “fat = greed” simplification. There’s also a lot of heteronormativity shoved in your face in this show, more so even than other 2000s shows. Monk is often told he should move on from his deceased wife and get a new partner despite his obvious PTSD and lack of interest in a new relationship.

Why I Love It: You don’t see a lot of sensitive OCD representation in mainstream media. People make fun of Monk’s compulsions, and his case of OCD is particularly extreme, but the show goes about it in a pretty nuanced way. Monk sees a therapist. He has moments of despair and moments of joy. His catch phrase when discussing the heightened abilities tied to his OCD is, “It’s a gift… and a curse.” He’s able to see that his brain might sometimes work against him but that it isn’t all bad to think differently than others. In addition, this is also a Sherlock Holmes retelling with a twist, plus Monk’s assistant Sharona is hilarious and challenges him in (mostly) healthy ways.

Why I Give It a Pass: The aforementioned OCD rep is a big part of why I give this show a pass. While it can be dismissive of other types of issues and definitely has ableist characters, the fact that the main character has such severe OCD and is still beloved by so many people gives me hope for a future in which I can see the “gift” in my neurodivergence rather than just the “curse.”

High Fidelity by Nick Hornby, novel (1995)

What It’s About: Rob owns and runs a subpar record store with the help of his quirky yet unreliable employees. Rob’s long-term girlfriend breaks up with him because he seems to be stuck, so he throws himself into his mediocre life and pursues a relationship with a singer before realizing he needs to take a good, hard look at what he actually wants out of life.

Why It’s Problematic: Most of Nick Hornby’s fiction work is centered on “weaponized male incompetence,” a phrase the wonderful YouTuber Luxeria used once in a video, and High Fidelity is no different. The main character is a white, cishet, 30-something man in a retail job who doesn’t try too hard in his relationship but is still mad when his partner leaves. Rob looks down on anyone who doesn’t have the same music opinions and knowledge he does and refuses to “grow up” and take responsibility for himself. I’m by no means saying that his working class and arts-centered job means he isn’t a “real” adult, nor am I saying that he should be in a relationship that requires him to change or settle down, but his lack of self-awareness is what makes this all problematic. Additionally, the women in this book are 2D characters only there to advance Rob’s story, which is clearly how Rob sees them.

Why I Love It: Listen, Jess Mariano from Gilmore Girls mentions this book in one of my favorite episodes, so that automatically gives it a boost. Plus, I kind of love reading about mediocre 30-somethings. I’ve always believed my 30s will be my best decade, but it’s still interesting to learn about people living boring yet abnormal lives in their 30s who don’t have all their shit together. I don’t plan on ever having a “regular” 9-5 job, and reading about other people who don’t have this goal but still manage to carve out a place for themselves is delightful, even if it is written in a satirical way. And the musical aspects of the book obviously make me enjoy it more, too.

Why I Give It a Pass: There’s nothing egregiously wrong with this story, at least that I remember. Sure, no one in this book is particularly careful about how they speak to or about each other, nor do they really try to make the world better, but they also don’t actively try to make things worse. There’s also an aspect to this book in which Rob does some soul-searching, albeit very surface level.

Also, if you’re not interested in reading the book, I still recommend the Hulu series of the same name, in which Rob is played by Zoë Kravitz and the story is updated for the 2020s.

Make Happy by Bo Burnham, comedy special (2016)

What It’s About: Make Happy is a recording of Bo Burnham performing his self-written comedy routine at New York’s Capitol Theatre. The Netflix special includes not just the performance, but also a pre-recorded intro and outro and several meta video-making jokes. Much of Burnham’s comedy is music-based and satirizes celebrity culture.

Why It’s Problematic: Obviously, Bo Burnham’s comedy has been problematic in the past (as evidenced by his song “Problematic” in his most recent special Inside… or any foray into his early years on YouTube). However, Make Happy is the one in particular I would consider a favorite of mine. The most blatant thing I have a problem with is that, while Burnham is critiquing parts of the rap music industry, there’s a moment in which the backing track uses the n word, even though it’s clear that the voice is just a distorted version of Burnham’s voice. Even for a joke, that feels totally wrong to me. There is also a joke in which he tricks the audience into saying the n word, as well.

Burnham tends to use the word “f*ggot” as an insult, which isn’t horribly problematic in my opinion because it seems to be a word that has been used to belittle him whether or not he’s part of the queer community. I’m all for reclaiming words that have been used against you. The special includes some pedophilia jokes and an entire song called “Kill Yourself,” though I’ll discuss the nuance of this song in the “Why I Give It a Pass” section.

Why I Love It: Most simply, Bo Burnham is hilarious. He often pokes fun at parasocial relationships in his comedy, which I (of course) am absolutely here for. Burnham also has the type of comedy that gets, to quote the man himself, “introspective.” He writes about being a performer and being a human, meshing these two things together in a way that is both funny and #deep. Particularly, the last two comedic songs in this special are my favorites—the Kanye West-style “rant/song” about burritos, Pringle can sizes, and being overwhelmed by life; and the piano ballad in which he asks us all, “Are you happy?” while unable to answer the question for himself. Basically, it’s the existentialism, musical comedy, honest humor, and humorous honesty.

Why I Give It a Pass: As his comedy career progressed, Burnham trended toward more obvious and meaningful satire rather than just satire for the sake of shocking people. For example, “Kill Yourself” is not actually about killing yourself; it’s about the way artists often take on the emotional state of their fans out of obligation or face-saving. In Make Happy, he states this very clearly even though it may “ruin” the joke. There’s something about a famous and/or influential person admitting to mistakes or insecurities, baring that human side of themselves, that makes me more forgiving when considering their work.

Conclusion

Well, there you have it!

This is by no means an exhaustive list. There are problematic things that I am too unobjective to talk about without doing a ton of soul searching I don’t feel like doing outside of therapy. The lack of music and childhood favorite books is a testament to this. Some things in life are simply things I want to enjoy without too much hard thought or emotion; I’m willing (and able) to give myself that grace with a few things I enjoy.

Though this discussion of liking “problematic” media barely scratches the surface of the conversation that needs to be had, I hope it’s a start. We’d have to dive into the idea of “guilty pleasures” and the “cancel culture” phenomenon to even break through to the real meat of the matter.

The reason I wanted to write this post is because part of me always feels the need to justify anything I do or like or say, but I also wanted to make the point that none of us are perfect, and neither is the media we consume. When you are an imperfect person in an imperfect world full of other imperfect people, there’s a dearth of perfectly sensitive and thoughtful art out there. Maybe even a lack. But if we try to share our best selves and ideas, and we are open to criticism and emotion, we might be able to get closer to an abundance of conscientious art and creators.

-Ryn PB

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Friends, Alone

Content Warnings: underage drinking and smoking, homophobia, violence/bullying, mild domestic abuse

Even though she had a key to the house, and even though the Raneys usually kept their door unlocked anyway, Allison wasn’t in the habit of entering their house without knocking. So when she raised her key to the door, it was only because she wouldn’t be comfortable going back home if the door didn’t open. She fumbled with the lock—keys never went into locks easily for her—and had just succeeded at shoving the teeth through the lock’s cylinder when it swung away from her, leaving her fingers grasping air.

Matty Raney stopped just short of colliding with the person at the door, the anger on his face intensifying at the obstacle. When he realized it was Allison, he stepped out, slammed the door, and yanked Allison’s key out of the lock. She took it from him and followed as he stormed down the sidewalk and turned the corner. He waited until the house was out of sight to pull out his cigarettes and light one. Before his secrets grew too heavy and too many, he could still hide the small things. Matty didn’t want his mom to know he smoked.

Matty was used to silence in the company of others—Allison spoke economically, and G hardly needed words to communicate with him—but this silence was uneasy. Allison hadn’t wrinkled her nose or pretended to cough when he exhaled. Her hand was in her jacket pocket, fiddling with the key. And weirdest of all, she’d left her backpack on the porch. She didn’t have a book with her.

If Matty had known how far her thoughts were from books, he would have been even more surprised.

His anger stepped aside to let his concern take over. “What’s going on?”

Allison sighed, letting go of the key and instead picking at a hangnail as they strolled. She wasn’t sure how much to share. Since Matty’s mysterious injury last year, he seemed constantly plagued by his own thoughts. Not even G knew what had happened. She’d felt a little responsible for not being there.  

The three of them were almost through with their first year of high school. The twins were at a different school; her parents had paid for her to go to a private school she didn’t like very much. Mostly because her English and History teachers seemed to just be phoning it in until retirement. She couldn’t enjoy her favorite subjects and was constantly getting in trouble for reading in class. But Matty, she knew, had been getting in trouble, too.

“Being home has been weird,” she said. Her parents’ hostility toward each other had been steadily increasing lately. This was the first time she’d seen them almost get violent.

Matty exhaled away from Allison, but the wind blew the smoke down toward her. “Yeah,” he agreed, though for different reasons.

The two of them sat on the curb of an empty lot in front of a weed-covered For Sale sign. Matty rubbed some dirt off his black boots before knocking his foot against Allison’s. She smiled a little and closed her eyes, head tilted up to let the wind blow her long blonde hair out of her face. The weather was perfectly spring—cool enough to need a jacket in the shade but not in the sun. She kept her jacket on anyway, preferring to be too hot rather than too cold. “I think we’re a lot alike,” she said finally, opening her eyes to the sight of her friend stubbing out his cigarette.

Matty’s spine straightened. He was flattered by this comparison. Allison was one of the few people he held in high esteem. His brother was another, despite how Matty had acted toward him lately.  

Most people looked at the three of them and saw Matty as the one who didn’t fit in the trio, but it hadn’t always been this way. The three of them had known each other since the fifth grade, when Allison’s family moved a few houses down and she’d discovered that the twins didn’t mind her extreme introversion. They would often spend their time together doing separate activities in the same room—Allison reading a book, G teaching himself Photoshop, and Matty listening to music or painting. The twins sometimes joined Allison on her trips to Mr. Rutherford’s Rare & Used Books, after which they would all go to a café and talk about what they were reading. During this time, G and Matty still looked alike. Their hair was kept its natural ashy brown color and cut short enough to hide the slight wave to G’s hair. Like most boys, they wore T-shirts and shorts most of the time. So did Allison, but her short stature and long blonde hair distinguished her from them. For a while, she was the odd one out by default.

Now, Allison and G dressed more or less normally, though G’s propensity for wearing sweaters often made him look like an English professor, while Matty wore all black and adorned himself with chains and fake leather. Allison and G always found the right words before they spoke, whereas Matty bumbled through his sentences until he’d gotten close enough to what he’d originally meant to say. And when he disagreed with something, he said so—sometimes on Allison’s or G’s behalf.

The similarities between the three of them were getting fewer in number, but the important ones were still there. Which is why, even though he and G weren’t getting along very well lately, he suggested, “We should do a Bad Movie Night this week.”

“Who’s choosing?” Allison asked.

Matty smirked. “G.”

Two nights later, the three friends gathered at the Raneys’ house. They settled into a familiar rhythm. G popped the popcorn while Matty prepared the hot chocolate, and Allison set up the movie and other snacks. Matty added an extra scoop of powder to his mug and some marshmallows to the others’. G split the popcorn evenly into three bowls. And Allison set up the TV with captions so G didn’t miss parts of the dialogue.

Once G and Matty settled on the couch, bowls and mugs on the coffee table, Allison settled on the floor with her back against the empty chair. She noticed the twins were as far from each other as possible, each leaning against an arm of the couch with their legs tucked against the corner.

Then Allison and Matty turned to look at G, the master of the evening. “Batman: The Movie, 1966. Robin hands Batman shark-repellant spray while hanging upside down on a helicopter ladder.”

Allison laughed in anticipation of the ridiculous scene, glad to have friends like Matty and G, who would allow her a night of reprieve from the tension at home despite the tension in their own home. She turned on the TV screen and pressed play on their bad movie.  

As hot chocolate was drunk, popcorn was eaten, and laughter was shared, the twins and Allison relaxed into their routine. G was satisfied by the others’ reactions to the aforementioned scene, vindicated in his choice of movie, which he always worried wouldn’t amuse the group. Matty had leaned forward to scrutinize the campy special effects, and Allison didn’t reach for her book at all. By the end of the movie it felt like nothing had changed between them. Until Matty stepped outside to smoke, and G turned to Allison with a rare sense of urgency. She pulled her blanket more tightly around her shoulders.  

“I got into VM,” G said quickly and quietly.

“The arts school?” she asked, even though she knew the answer. “I didn’t even know you applied. Congratulations.”

G smiled a little before his eyes darted toward the back door. He fidgeted with his sleeve.

Allison understood and nodded. “Matty doesn’t know.”

G shook his head, pulling on a string dangling from his sleeve’s hem. His brother had been distant ever since his hospital stay last year. He knew his mom was keeping something about it from him, and he knew Matty was keeping something about it from their mom. But this would be the first time the brothers hadn’t been at school together. Matty would feel abandoned, on top of whatever he was upset about. And G wasn’t too jazzed about going to school alone, either. If Matty hadn’t stopped painting, he could have joined G at the Vivian Maier Academy of the Arts, but he hadn’t painted anything in almost a year. VM required a current portfolio.

“You should tell him,” Allison said without asking for more details. She knew enough. “He’ll be more upset if you don’t.”

With a shrug, G dropped his hands from his shirt sleeve. “I don’t know how.”

Allison opened her mouth, closed it, and opened it again when she had an idea. Just then, the garage door opened and Lauren Raney, the twins’ mother, entered through the kitchen. G shook his head again, and even without acknowledgement, he knew Allison understood.

One of many Vivian Maier photographs on display in the halls at the VM Academy of the Arts

Lauren Raney slipped off her shoes and hung up her keys, not bothering to modulate her expression until she noticed her son and son’s friend in the living room. Lauren Raney’s hours at the hospital varied, but as her sons had gotten older, she’d taken more and more night shifts. Insomnia ran in the family, and night shifts meant more pay, so she figured she would take advantage.

She usually came home to a quiet house. Her sons weren’t always home—they would go to a coffee shop together when they couldn’t sleep—but even when they were, they weren’t usually making a lot of noise. She hadn’t seen the twins together with Allison in months, so she smiled in surprise, attempting to erase the exhaustion from her face. “Allison! It’s good to see you. Will you be staying the night?”

Allison and G exchanged a look, after which Allison shook her head no. “Probably not. School tomorrow. I didn’t finish my homework.”

This seemed odd. Allison almost always finished her homework during school. Lauren had spoken to Allison’s mother about Allison’s tendency to work on homework during other classes. She’d told Mrs. Gillespie that she should just be glad Allison did her work and did it well. This was an increasing rarity for the Raney twins.

The back door swung open and Matty entered, shoving his cigarettes into his pocket at the sight of his mother. Unfortunately, he forgot that his pajama pants had no pockets. Instead of hiding his cigarettes, Matty dropped them on the ground for all to see. Shit.  

“Matty Raney, are those what I think they are?” Lauren stepped forward, exhausted from her nursing shift but unwilling to let this go. Her boys had always been generally good kids. At least she’d thought they were.

Matty squeezed the lighter still clutched in his hand so its sharp edges dug into his palm. He fixed her with the glare he’d been perfecting and decided to take a page out of G’s book. Silence was the best policy, not honesty.

“I got into VM,” G blurted from his spot on the couch. “And the scholarship.” Even though he and Matty hadn’t been getting along lately, G didn’t want him to get in trouble. G had decided to take a page out of Matty’s book and just say what was in his head before thinking.

“You did?” Lauren was startled by this role reversal more than G’s news. She’d never doubted either of her sons’ talents, even as she found herself rethinking their personalities.

“You did?” Matty echoed quietly. Instead of taking the chance to grab his contraband, Matty tried to make eye contact with his brother, but when G refused to look in his direction, it was Allison who confirmed his suspicions with a small nod. She’d begun to feel like her nods held all of the twins’ answers. It was a lot of pressure.

Matty’s two closest friends had been keeping secrets from him on purpose. G and Allison—the people who knew him the most even in light of the secrets he’d been hiding—they’d betrayed him.

Even as he thought this, he knew it was dramatic, but he could no longer pretend life wasn’t dramatic.

He’d had a crush on a boy in his class for most of eighth grade. After Matty crashed his bike in front of his crush, a different classmate helped him wipe away the dirt on his hands and apply Band-Aids to his wounds. Matty had never been cared for by another boy that wasn’t related to him. From then on, the two boys would meet after school to hold hands or share earphones or whatever else the two boys could think of to show affection without crossing some sort of societal line. Until they’d gotten caught by some older kids. The other boy ran away, and Matty stayed to fight. Or more accurately, Matty stayed to lose.

He hadn’t looked back once, hadn’t said anything, and avoided Matty the rest of the year. Matty was left with a broken arm, bruised and bloodied face, and a mandatory hospital stay after talking with a psychiatrist.

This just confirmed what he’d learned while watching his bike-crash savior flee. People couldn’t be trusted. Especially not the people you show yourself to.

G was abandoning him to go to the pretentious arts school with the kind of people who would take one look at Matty and assume he was stupid and untalented.  And maybe he was untalented. He’d stopped painting, after all, so who knew if he could make anything worthwhile anymore. All G could do was point a camera.

And Allison had known. She’d known that G was leaving. She’d already left the two of them to go to a private school. It wasn’t her fault, but it still hurt. Allison had never needed anyone around her, and G was content to live in his own world. It was just Matty that needed people. It seemed to be the only thing about him that hadn’t changed.  

Marching toward the front door, Matty stomped on the cigarette pack with his bare foot. His mom called after him to stop, to stay, to talk. Instead, Matty picked up his boots and slammed the front door behind him. He didn’t look back.

Allison excused herself and went home, where her parents were arguing violently about the librarian her mother spent a lot of time with. Allison heard her dad throw things at her mom for the first time. She tried to read in her room, escape behind a door and between the pages, but she couldn’t focus. So Allison stared out the window, wondering what was happening in the Raney house so she didn’t have to think about what was happening in hers.

The Raney house was quiet. After his mom had thrown away the cigarettes and half-heartedly congratulated him on his impressive achievement, the remaining Raney twin had gone to bed. More accurately, G sat on top of his comforter and stared at his reflection in the blank desktop computer screen, wishing his brother were there to be awake with him.

Matty did not return until morning. With some school acquaintances, and for the first time, he got drunk to distract himself from his own thoughts. If needing people was part of the Matty personality package, he might as well hang around with people who didn’t care to find out who he was. If they didn’t know him, they couldn’t betray him.

All three friends wanted to be together. All three friends were alone.

Author’s Note

These are characters I’ve been writing about for a long time—at least a decade. Matty and G have gone through many iterations, and Allison replaced a previous friend of the twins that I didn’t like as much. If this short story seems to have some random information dumps, it’s because this is the first time I’ve tried to write concretely about this time in their friendship—the period in which they begin to drift apart—so I was figuring stuff out as I went along.

Anyways, even though this story is a little info-dumpy, I hope you enjoyed getting to know my favorite characters a bit better. I know I did!

-Ryn PB

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TBR Playlist: Saviors by Green Day

I’m starting a new blog installment purely for my own enjoyment… again. As we all know, I love pairing songs and books together, but I’m running out of books I’ve read that I want to recommend and that go well with a song. So I’m turning to the one thing that will always be abundant: my to-be-read (TBR) list! This way I can stick with my goal not to pressure myself too much with reading this year and also write my favorite type of blog post more often.

What better place to start than with the newest album from my favorite band? I’ve been listening to Green Day’s Saviors on repeat since my solo listening party the day after it came out. And now my obsessive listening will pay off.

“The American Dream Is Killing Me”: Self-Made Boys: A Great Gatsby Remix by Anna-Marie McLemore

This one is a little self-explanatory, right? The Great Gatsby by F. Scott Fitzgerald is the most well-known American Dream novel. It is a little sad that the illusion of the American Dream is still intact and ruining lives one hundred years later… but what can you do? *shrugs*

“Look Ma, No Brains!”: Not a Star by Nick Hornby

Nick Hornby’s fiction is generally about the lives of mediocre 30-something men who constantly disappoint those around them—which already fits the vibe of this song. However, this specific short story is about a mother who finds out her son was in an “adult film” and has to grapple with how that changes their relationship. It would be even more on the nose if the story were from the son’s perspective, but hey, it’s close enough for me!

“Bobby Sox”: Girls Like Girls by Hayley Kiyoko

Even though “Bobby Sox” is about bisexuality, I think that pairing it with Lesbian Jesus’s YA novel is fitting. Girls Like Girls is based on Kiyoko’s song of the same name, so I’m assuming it will also deal with young queer love—the beauty and fear and excitement of it all.

“One Eyed Bastard”: Hell Bent by Leigh Bardugo

The Ninth House duology deals with the corruption of the ivy league, while “One Eyed Bastard” deals with the corruption of power in general. They’ve got the same “ancient secret society of the rich and powerful that is possibly Satanic” idea behind them, ya know?

“Dilemma”: The Lesbiana’s Guide to Catholic School by Sonora Reyes

Though this song is about addiction and relapse, I decided to focus more on the line “I’m in trouble and in love again” when choosing a book. The main character in this book agrees to pretend to be straight at school despite the fact that she has never been good at hiding who she is. Both are about returning to harmful habits and the journey to overcoming/understanding these habits.

“1981”: I Want My MTV: The Uncensored Story of the Music Video Revolution by Craig Marks & Rob Tannenbaum

MTV was launched in 1981, and this song is basically about a girl who “bangs her head like 1981” (e.g., while watching MTV). The undertone of this song is more of an infatuation with the girl who changes BJA’s worldview like “a Cold War in [his] head.” However, this book was too perfect not to link to a song that talks about MTV. Both reminisce about a specific period of time in pop culture, albeit one more academically than the other.  

“Goodnight Adeline”: The Color Purple by Alice Walker

Let me be the first to say that I can’t believe I still haven’t read this… Anyway, The StoryGraph describes The Color Purple as “emotional, reflective, sad, and medium-paced,” all of which could be used to describe this song. Both are about feeling alone and broken and how those feelings can be so overwhelming that they take over your life. They’re about the disappointing “knowns” of right now and the ever-volatile “unknowns” of the future.  

“Coma City”: Foul Lady Fortune by Chloe Gong

A city that seems to be going crazy, unmitigated violence, government corruption, conspiracies and terror—these are just a few of the things this song and book have in common. Plus, the line “Dead on arrival under smoky skies” fits the Chloe Gong 1930s Shanghai universe perfectly.

“Corvette Summer”: Where Are Your Boys Tonight?: The Oral History of Emo’s Mainstream Explosion 1999-2008 by Chris Payne

The main hook of this song is “Get around, I can get around / Fuck it up on my rock ‘n’ roll,” so of course I had to pick a book about music. I suppose I could’ve picked one about punk music, since that’s really what this song is about, but pop punk is often included in the emo genre, so I thought it would work well enough. Specifically the line “Take me to urgent care / Or the record store” made me think of the emo/alternative genre.

“Suzie Chapstick”: The Daydreams by Laura Hankin

The Daydreams is about the reunion of the stars of a 2000s teen show that ended disastrously, which sounds like it will include a lot of complex nostalgia. It pairs well with “Suzie Chapstick” because the song is all about missing someone and the time spent with that person, even if it ended poorly. The song questions if they will ever reunite, whereas the book makes that reunion a certainty.

“Strange Days Are Here to Stay”: A British Girl’s Guide to Hurricanes and Heartbreak by Laura Taylor Namey

Though this song is about the broader weirdness of our world that seems to be sticking, the sequel to A Cuban Girl’s Guide to Tea and Tomorrow is more about how a specific girl’s present and future look to be “strange.” Flora is about to start university, is grappling with romantic feelings toward her best friend, and is vacationing in Miami in order to avoid her emotions—but none of these things are likely to go away soon.

“Living in the ’20s”: Vile Bodies by Evelyn Waugh

I promise I didn’t just pick this book because it takes place in the 1920s, although that definitely strengthens the connection. This song is all about how we live in “the future” but it’s not at all what we imagined it would be like. Things are different on the surface, but not underneath. Similarly, Vile Bodies is about the darker underside of the shiny “Bright Young Things” generation’s lives. Progress and excess don’t always end well. “Ain’t that a kick in your head?”

“Father to a Son”: Punch Me Up to the Gods by Brian Broome

For this song, I didn’t really want to just find a book with a father-son relationship, but instead looked for one with masculine vulnerability. This memoir is described as just that—a look into the life of a Black gay man dealing with addiction, sexuality, complex family dynamics, and all of the other things that come with growing up Black and gay in the United States. For men and boys—and more specifically for Black men and boys—emotional vulnerability is seen as taboo, and I think it’s important to acknowledge the effects this can have on boys growing up.

“Saviors”: 7FATES: CHAKHO, Vol. 1 by BTS/HYBE

If 7FATES: CHAKHO has the same or a similar storyline of the BTS Universe music videos, then this song fits well with it. There’s a kind of last-ditch hope feeling to both of them, a desperation for something to “save us” from the world that seems to be breaking us down. And maybe part of that is coming together with other people, whether they be “saviors,” “believers,” and/or “strangers.”

“Fancy Sauce”: The Memory Librarian: And Other Stories of Dirty Computer by Janelle Monáe, et al.

“Fancy Sauce” is about how what lives in our minds shapes our current experience, and The Memory Librarian is about how what is erased from our minds can shape our future. And while the former leans into a sort of “my choices don’t really matter in the long run because the world is so fucked up” mindset, the latter is more hopeful in that the whole plot hinges on the main character regaining control of her own mind and life.

Conclusion

And there you have it! My first TBR Playlist. Some songs were surprisingly difficult to pair with books on my TBR, especially ones I kept wanting to pair with books I’ve already read, but this was still a blast and gave me an excuse to listen to Saviors again… even though I didn’t really need one.

Happy reading, and happy listening!

-Ryn PB

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Boy Band Music Critic 8: Louis Tomlinson’s Faith in the Future

Introduction

As I was doing research on Louis Tomlinson, the news seemed to be focused on only one thing: that some fan tricked him into signing a marriage certificate during a meet and greet. The other thing I could find was that Louis T had broken up with his longtime on-again/off-again girlfriend Eleanor but was maybe talking to her again, which checks out when you listen to the lyrics of this album.

I know from his other music and past research that Louis lost both his mother and sister in the late 2010s, and that he has a son with a previous partner. Out of all of the One Direction (1D) boys, he’s who I would say acts most like a typical “lad,” but I get the sense that, despite his mischievous nature, his internal life is much more complex. He wrote some of the 1D songs, was the oldest in the group, and is one of the only 1D guys who was upset about the band breaking up. As far as I know, he’s transparent about his life and decisions—whether they’ve been good, bad, or a mix of the two—and he seems pretty down to earth (if not almost performatively).

Also, apparently Louis T has a documentary on Paramount+ about his solo career that really affected his former bandmate Liam Payne, but I have yet to watch that. (Though I definitely plan on doing so eventually! You know me; I can’t resist a good look at a parasocial relationship.)

Faith In The Future came out in November 2022, and Louis T started the tour for this album in 2023, which is only his second tour as a solo artist. When I watched his live-streamed concert in 2021, he performed two awesome covers (“7” by Catfish and the Bottlemen and “Beautiful War” by Kings of Leon). He’s covered “Mr. Brightside” by The Killers before, and apparently he sings a cover of “505” by the Arctic Monkeys on this tour. You can definitely see where he gets his music inspiration from, as these songs and artists have similar vibes to Louis T’s music. It’s the “I’m a bit problematic and like to dabble in drugs/alcohol, but I have a good heart” vibes. (For all of us who love a “bad boy” with a soft side…) And, like the Arctic Monkeys and Catfish and the Bottlemen, he is so very British.

I think part of Louis’s charm is that he seems insulated in his own Doncaster culture despite being an international star. I’ve always wanted to love where I’m from, and Louis T’s example of loving where he’s from but also making fun of it feels very familiar to me.

And now, onto the Boy Band Music Critique! *Adjusts hat.*

Faith In The Future (2022) by Louis Tomlinson

“The Greatest”: Oh, dang, what a strong open! I feel like this could play during the sad part of an action movie.

I love the echoing effect in the chorus. It feels very capital-B Big, you know? This song is all about rediscovering what makes a relationship wonderful and making up for lost time—and recovering from that time apart, too.

Written All Over Your Face”: Is this album going to be in a spy movie? Because, dang, I would watch that movie just for the soundtrack.

Not these vocals coming through. Not the bass absolutely slaying. The vocals, especially the “hey, babe,” remind me of Nirvana’s “Heart-Shaped Box.”

The lyrics are about knowing your partner has woken up angry about something, knowing their way of dealing with that anger, and preparing yourself for the inevitable argument just so you can get through it to the other side.

I’m not sure how the spy movie music works for this message. Maybe he has to sneak around and put together clues to find out why his partner is upset and how to best support her? In any case, I’ll be adding this to my daily playlist.

Bigger Than Me”: Okay, I already reviewed this song when it came out as a single in 2022, so these are new 2024 thoughts only!

Still hits hard as a post-COVID and, now that I’m thinking about it, post-coming-of-age song. You wake up to the world around you and waking up to the ever-changing nature of humanity. And, of course, one of the main themes of this album (I’m assuming) is going to be about changing internally while the world changes around you.

Although, I have to say, I’m not sure how I feel about the sudden shift from “spy movie rock music” to “stadium coming of age song.” Very abrupt.

“Lucky Again”: Ooh, upbeat summer rock! Back to the rock music.

Wow, this summer rock hits hard. If this song were a beach, it would be a rocky yet beautiful one.  

“Whatever gets you through the darkest night / Just find the light out in the madness, hold tight.” Totally agree, Mr. Tomlinson. If you enjoy something and/or it helps you survive, there’s no shame in that! No matter if it’s drawing squiggly lines or watching Marvel movies or looking at pictures of sheep. Find that joy and hold onto it when you can.

This is like a more positive response to “The Greatest,” in that we can be nostalgic for the past but still make the present and future good. And we all know I love a hopeful song. “I was lucky once, I could be lucky again.” Yes, indeed, Louis T. This is the attitude we need to strive for.

Face The Music”: We’re done with the beach—back to the action movie!

“I don’t wanna face the music, but I still wanna dance with you / Let’s buy some time / For what we shouldn’t do.” This is a very “live in the moment” song, but I like that it doesn’t ignore that there will eventually be consequences. You can do what you want, live in the present, make reckless decisions, but there will be a future after the present moment. It’s your own mind that chooses how you deal with that future in the now.

“Chicago”: A post-breakup song with simple guitar strumming… the feelings are just around the corner.

“Just because it didn’t work doesn’t mean it’s meaningless to me / It just wasn’t meant to be.” Yes, yes, yes! I’m a big believer in the idea that things don’t have to be destined to last forever in order for them to have meaning. And you can still care about someone long after you’ve stopped being in a close relationship with them.

Man, Louis Tomlinson’s music is so good at being straightforward yet relatable. He includes enough specificity to make the vaguer lyrics more meaningful.

“All This Time”: This is the first song on this album that I’m kinda “meh” about when it comes to the music. The vocals are trying to be gentle and the simple instrumental is trying to be mellow, but the beat is just a bit too fast for this to really work.

Okay, the synth late in the song makes it more cohesive. Kind of like a song by The Killers in the 2010s. But the message, as is usual with Louis T’s lyrics, is very good and well-worded: “It’s worth it all this time” no matter the doubts and failures you’ve endured.  

“Out Of My System”: This song suits Louis T’s voice so well! It’s got so much energy, like a burst of adrenaline.

According to Genius Lyrics, he recorded this right after a live show on his world tour, which explains the energy in his vocals. And it totally fits with the lyrics. It’s kind of like Alexander Hamilton “writing like he’s running out of time” but from Hamilton’s perspective. No matter what he’s already done, he has no choice but to keep going and keep striving.

“Headline”: Honestly, I’m loving how Louis T is exploring different vocal styles (if still in a comfort zone). This is another beachy, summer rock song, just head bobbing and smoothly rolling on.

“You used to read me like a headline” is actually such a good metaphor—if you only read a headline, you can miss a lot. You can even misinterpret that headline without all of the information. If only his partner had dug a little deeper, they could’ve had something wonderful.

The last lyric is heartbreaking! (“Sometimes, I wake up and I wish you were beside me.”) He still cares about this person and yearns for the life they could’ve had if only that person had put the same amount of effort into the relationship.

“Saturdays”: This is a very different “I’m out partying because I’m sad about the end of a relationship” song for Louis T. It’s much slower and simpler, a reflective moment after the fact (or maybe during the drowning of his sorrows) when the deeper meaning of this distraction rears its head.

The lyrics “Not for the first time / Not for the last time” are just perfect for this song. They make the melancholy mood fit much better, along with the repetition of an echoey “Some things change.” In the end, it’s a hopeful song. You can feel sad and broken, but there’s still hope.

“Silver Tongues”: The slow and reflective vibe continues. Nope, nope, I was wrong! We’ve picked up speed! It became more fun after the meandering first verse.

I’m not one hundred percent certain how to interpret this song. It’s another “let’s make bad decisions in order to have good memories” moment, but it’s also a bit more nuanced (with some clear hypocrisy between substance users). However, the upbeat music and generally positive lyrics also indicate that these moments can still be valuable.

Oh, a sudden stop… what an odd way to end this song.

“She Is Beauty We Are World Class”: Am I in a spaceship? On a runway? This song is very trippy.

Apparently, the title of this song (and the lyric of the same words) is from a picture of some weirdly poignant bathroom graffiti. Explains everything about this song, tbh.

“Common People”: Acoustic guitar strumming! Memories! Nostalgia for a home and for a specific past! Angst!

This reminds me of Louis T’s song “Just Like You,” with the same theme of trying to be a “normal” person despite having had bigger than life experiences. However, I think it’s interesting that he talks about how nothing’s changed for the common people considering that change is a main theme of this album. Well, we all have contradictions inside of us, and maybe one of Louis T’s is that his home/past have changed and stayed the same all at once.  

“Angels Fly”: This is a rare message in pop music: to be able to sit in your feelings, let them marinate, before you can deal with them and eventually let go. Sometimes we just need to be together with someone who gets us, who doesn’t pressure us, but who can still reassure us that this will pass, that this hurt is not forever.

This is a great example of how nihilism can actually be comforting. Sometimes, knowing that you’re so small in the universe can be overwhelming. But other times, it’s nice to know how small your mistakes and hurts really are in the grand scheme of things.

“Holding On To Heartache”: This is Louis’s post-1D song. A few of the band members have one, but I think Louis’s is unique in that he really loved being in One Direction. He loved the band and would have continued on in the group if he could. He struggles with that loss, the loss of his group members and all of the things they could have done, even if it has allowed him to discover himself as an individual.

I think it makes a lot of sense to be hung up on the thing that got you where you are today no matter how it ends. If you care a lot about something, mourning that something and what that something could have been is a never-ending process.

Not to sound like a broken record, but this is another side to parasocial relationships that isn’t explored often enough: the “what happens next.”

“That’s The Way Love Goes”: Oh, man, a friendship breakup song. Not in a “the friendship is ending” way, but in a “checking in on someone who has experienced heartbreak” way. I can’t help but wonder if LT is writing this to himself… Much of his music includes messages to himself, and this song is no exception.  

Final Thoughts: This album is fairly cohesive, just like Louis T’s previous album, Walls, although it’s less varied in emotion. Compared to Walls, Faith In The Future has more songs that I would listen to often but fewer songs that have affected me deeply. However, the music is more complex and rock-oriented, which I definitely enjoy!

Faith In The Future (Bonus Edition) (2023)

“Change”: I already reacted to this song too—a live version from a livestreamed concert—so these are new 2024 thoughts only.

Louis T is great at writing bridges that make me go “oof,” that hit me right in the feels. “When we gonna realise we don’t get another life? / Always overanalyse, what’s the point? / I know it’ll be alright.” Sometimes you just gotta let the world change around you without letting it change you too much.

“High In California”: This title is very self-explanatory… But I have to say, the lyric “Spent my whole life just thinkin’ I had to change” really hits home as a queer person—or just as a person who doesn’t exist in conventional ways.

Really, though, this song is about getting high somewhere it’s socially acceptable to smoke weed. You can draw your own metaphors from that.

Unreleased Songs

“Paradise” (2022): Alright, I had to go to YouTube for this one, my friends. Apparently it’s on a “Target Exclusive” version of this album, along with a version of “Copy of a Copy of a Copy,” which I have given my thoughts on before! (Though I have only been able to find this Target Exclusive version on eBay.) These are basically songs he only plays live.

This is one of those songs that encourages you to go after your dreams, “Just get there your own way.” I can interpret this one of two ways: 1) make your own path and dream, or 2) work as hard as you can to accomplish your dreams. In other words, your dreams are your own. You can make them conform to your life, or you can conform your life to your dreams. Both are valid paths, as long as you put effort into the things you love and want to accomplish!

“Saved By A Stranger” (B-side to “Bigger Than Me” Single CD) (2022): YouTube sent me to this song after “Paradise,” so let’s give it a listen.

Oh, dang… this is heavy. One person can make such a difference in your life no matter how brief your paths cross. This is why I always try to be kind and understanding, because I’ve needed people like this, too. Stories like this give me hope in humanity in a time that it’s easy to give up on people.

“All Along” (2022): YouTube wants this post to go on longer, and who am I to disobey the gods of YouTube? Apparently, Louis T mentioned this unreleased song in some interview, so let’s listen!

Summary of the lyrics: Right person, wrong time.

This has the same message as LT’s song “Too Young.” It’s so incredibly bittersweet. We feel things so deeply when we’re young, but we don’t always understand that until later. Sometimes too late, but not always.  

Conclusion

Well, these were some more bangers from Louis Tomlinson! Louis T is definitely someone whose live performances make his music better, and I hope I can one day watch in person rather than having to watch online. He’s a pro at writing pop-rock songs, and the pop-rock spectrum of music is my favorite place to be.

As always, I hope reading this was as fun for you as it was for me to write! I’m caught up on the 1D boys’ solo music, so I’ll be back next time with a review of a 5 Seconds of Summer solo project. I wonder what those boys are doing now… Do 5SOS still make music? We shall have the answers soon!

-Ryn PB


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26 Things I’ve Learned Over 26 Years

I was going to post this on my actual birthday, but as I said in my last post, my computer broke and I was not in possession of my laptop in the days around my birthday. I won’t let technological difficulties stop me, though!

Last year, I wrote a list of 25 quotes, and because I love making lists, I thought I would follow that up with a list of 26 life lessons. I’m on my own with insurance now. I’ve got a full-time job. I have a pet and pay rent. I’m a “real” adult. I’ve got the wisdom. Here it is:

  1. The weirdest idea is often the best. I mean this mostly in your creative life, but it’s often true in other situations.
  2. You can’t skip the parts that make you anxious. So do the thing anyway. I’m almost constantly worried about something, but if I do the thing anyway, I often find that I forget about my worries after a bit. Or I realize that the worries were worth it for the experience I had.
  3. Forgiveness and rebuilding trust are two different things. I’ve forgiven a lot of people, but I don’t trust them afterward unless they show me that I should. For a long time, I thought I was just holding grudges, but I’m not mad at these people. I’m not actively upset with them all the time. I’m just sad that they broke my trust, and that even giving them the benefit of the doubt didn’t yield results. The good news is that once you’ve forgiven someone, it’s easier to be receptive to their attempts to change.
  4. It’s difficult to be consistently healthy. Do what you can. We all have healthy and unhealthy habits. That’s okay, as long as you’re not actively harming yourself or others. (And if you are, tell someone, if only to have someone else know what’s going on.)
  5. I like cats just as much as I like dogs. This was actually surprisingly difficult to admit to myself. Like, even harder than admitting I like K-pop. One of my main character traits since I can remember has been that I love dogs. Heck, my Webkinz account name was “doglover303.” But I am now a cat owner and cat lover, too, and I’ve realized I can be both.
  6. Not everything can be your best. You can’t even always do your best. Focus on doing your best in the things you really care about.
  7. Carrots are delicious. Especially with peanut butter. Or wine.
  8. If it takes less than five minutes, just do it now. This is a rule I try to follow if my mental health isn’t too poor. There are less small tasks for my anxiety to build on.
  9. Making bad art is really therapeutic. At the very least, it keeps my hands busy and mind occupied when I feel too unsettled to do anything else.
  10. Don’t sniffle. Blow your nose. I wish I could go back in time and talk some sense into little Ryn who was getting sinus infections all the freaking time and just powering through without touching a tissue. When you sniffle, you swallow all that snot, your stomach hurts, you continue to not be able to breathe, etc. When you blow your nose, you can alleviate those symptoms at least a little! (Hot tip from Mama Baginski: Puffs Plus with Lotion is the way to go when shopping for tissues.)
  11. Relationships take effort. My best friend moved across the country, and my sister and I went through a rough patch, and I no longer work with some of my close friends. So I’ve learned that it’s really hard to keep up relationships. It’s okay to have people come in and out of your life, but if there are people you want to keep in your life, you have to put effort into it. Relationships aren’t effortless for me, but there are some people that are worth it, even if only for a little while.
  12. In the moments you can control where your energy goes, don’t direct it to anger or annoyance. Little things don’t always have to become big.
  13. Ask questions! All the time! Admit when you don’t know something! Much of life becomes easier when you’re not afraid to ask questions.
  14. Don’t be embarrassed about the things you like. I have a bad habit of being reluctant to admit when I like something that seems incompatible with identities I’ve established for myself. Or if I have a perception of the typical person who likes that thing and this type of person is not how I want to be perceived. But it doesn’t matter! I like what I like, and it doesn’t change anything about me except that I like something new.
  15. Pointless/useless skills are fun to learn. Low stakes learning is the best.
  16. Integrity is doing the right thing even when you don’t want to. This is a paraphrased version of something a substitute teacher told me in grade school: “Integrity is doing the right thing even when no one is watching.” It has always stuck with me, but in practice, I’ve found that doing the right thing is only hard when I don’t want to do it. Which doesn’t necessarily have anything to do with who is around.
  17. Summer is better than winter. Listen. I used to say winter or fall was my favorite season, and maybe that was true for a while, but in the past few years, I’ve come to appreciate summer. I don’t even mind being sweaty or hot. The sunlight and desire to be outside make me feel so much better.
  18. Spending money isn’t something to feel guilty about. Because I grew up in a money-saving household, my mind transformed that into “feel guilty if you spend money!” Instead, the lesson should have been, “it’s okay to spend money, as long as you have enough for the basic comforts.”
  19. You don’t have to be the same person today that you were yesterday. And you don’t have to be the same person tomorrow that you are today.
  20. Always have one thing you do to pamper yourself. For me, the one thing I pamper myself with is my haircut. I spend a little extra on haircuts than I need to, because I like having good hair. I understand that some types of pampering are cost prohibitive, but if you have the time and means to do anything that feels fancy—take a couple extra minutes in the shower, rub your feet when you finally sit down, get a coffee from a café instead of making your own—you should do it. It goes a long way!
  21. There are ways to get around the gross textures of delicious foods. Smoothies, anything in a “chip” form (e.g., banana chips or sweet potato chips), raw vs. cooked, cold leftovers, put it in a cookie or muffin, etc.  
  22. Go at your own pace. Slow down, speed up, whatever you need. Just be conscientious of the paces of those around you.
  23. You don’t have to bend for labels. Labels are for you—to communicate your identity, to find others with that identity, to feel grounded in language—and you get to choose those labels. You can’t always choose who you are, but you get to choose your labels. You can make your own labels, or go with no labels, or adopt a label without needing to fit every single little specification, or change labels as often as you need or want to.
  24. You don’t have to date. Or want to date. Here’s the tea: I’m 26, I’ve only kissed two people, I’ve never had sex, and I’ve never been in a romantic relationship. And you know what? That’s okay. There are a lot of things I want to want, but romance is one of those things I feel okay being passive about. And you don’t have to be asexual or aromantic for that to be true. That being said, if you want romance or sex or any other type of relationship, that’s okay, too.
  25. Your mop is only as good as your sweep. I mean this literally and as a metaphor. If you care about doing something well, you have to set yourself up for success, otherwise you’re just moving wet dirt around.
  26. You don’t always have to make the most out of life. This seems like weird advice to end on, but it’s true. If I’m too focused on remembering something or making the most of something, I’m not actually enjoying it. I’m worried about not appreciating it enough. Instead, I find that I enjoy things more if I don’t think too hard about these things. Life is meant to be lived. Just live it.

My birthday is something I like to acknowledge but not celebrate. I usually make a point to do something fun for myself on or around my birthday, but I’m not super big on a whole party or celebration. This year, I went book shopping at my favorite bookstore with one of my favorite people and then got friendship tattoos with three friends I love being around. It was the best way to spend my day—making myself and the people I love happy. This is my way of living life without needing to make the most of every moment.

Here’s to another year of life! Cheers!

-Ryn PB

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The Clairvoyant Cashier

Ernest Kowalski just wanted to pick up some potatoes for his pierogis, but Ziggy’s market was closed on Sundays. Two of his daughters and their kids were coming for dinner that night, so after Mass he’d ventured out to the big supermarket—Walmart.

He hated it. Everything was impersonal and streamlined, but he’d already been waiting in line for five minutes. Only two cashiers were working even though the numbers above the registers went up to eleven—ridiculous. Ziggy’s had two check-out counters, so there were always two cashiers on hand. No false impressions, no space wasted. Ziggy’s daughter Ala and the local boy Frank were lovely young people and top-notch cashiers, always there when Ernie did his weekly shopping on Wednesday. Just three days ago, Ala helped him tweak the amount of seasoning for his pierogis—more pepper, less salt, add nutmeg—which he would be trying today. If he ever got to the cash register.

The woman in front of him who had slowly unpacked an entire cartful of groceries finally reached the card reader. Ernie sighed in relief and plopped his bag of potatoes onto the conveyor belt. He flexed his stiff fingers while the woman searched for her credit card in the depths of her large purse—why did women need purses that big for a trip to the supermarket? Ernie’s wife had kept everything she’d ever needed in a small, black bag that slung neatly across her chest. The woman fished out a wallet twice the size of Ernie’s, and at long last, Ernie approached the cashier—a young woman with dark hair cut boyishly short and a smile that exposed a row of nearly straight teeth. With a slight pang of annoyance, Ernie smiled back. He couldn’t be rude to her just because big-purse lady had miffed him. In fact, this cashier was his favorite person in the whole supermarket—she would send him home with what he needed.

Ernie wanted to get out of this place with concrete floors and beige walls. It felt more like a warehouse than a welcoming store.

“Hello, sir. How are you today?” The cashier smiled wider and looked straight into his face. Ernie thought she seemed genuinely happy. He hadn’t seen a happy worker in the whole store—all that fake enthusiasm.

“Just fine,” he grumbled. Ernie didn’t feel like a grumpy old man, but he sure sounded like one. He began to wonder if his own father hadn’t been so mean after all—just old. Ernie cleared his throat, but paused mid-breath. He heard his wife’s voice whispering in his ear, “Do you see that girl? She looks Polish. Look at her beautiful features. That girl must be Polish.” His wife used to say this often, and she was usually right. He could see no reason to doubt her now that her body lay underground, so he asked the cashier, “Are you Polish?” He squinted at the girl’s nametag: Kitty. Cashier.

Ernie’s gaze shifted from Kitty’s nametag to her face. She pressed her lips together and scanned the potatoes, the loud boop startling Ernie. “Yes,” she answered. “How did your wife know?”

Ernie instinctively glanced behind him, where he always felt his wife walking. She used to walk right on his heel, flat-tiring him nearly every day. None of his shoes had an intact heel. He felt her presence behind him. But no one stood there—not another customer, not a lost child, not his wife. Ernie bristled, and as he was about to slam down a twenty-dollar bill, the bill slipped out of his hand and fluttered down in front of Kitty. Ernie felt like she was playing a prank on him, though he couldn’t imagine how she would know about his wife.

“Do you know one of the kids who works at Ziggy’s?” he asked, this time grumbling on purpose. Maybe there was a social group of young cashiers who traded stories about crazy customers.

Kitty didn’t seem to notice Ernie’s harsh tone. Two slender fingers with several silver rings plucked the money from the scanner. One ring had an eye on it. Ernie thought it looked like those pictures of Egyptian hieroglyphs he’d seen years ago at the university. She said, “No, but I—did you need nutmeg for your pierogis?”

Ernie thought for a moment, attempting to recall a picture of his spice drawer. He couldn’t remember. “I suppose I should get some just in case.” Grumble. Grumble. Ernie’s fingertips began to shake, something that hadn’t happened since his wife died.

“Wait a moment.” Kitty took a deep breath and cocked her head toward Ernie as if listening to someone speak softly. A slight pressure appeared on Ernie’s shoulder, like a hand. He jumped and looked behind him, seeing no one. These chain supermarkets made you go crazy. It must be the ridiculously cold air. And this insolent cashier! Playing with an old man’s mind.

As Kitty opened her mouth to speak, Ernie rubbed the scab on his chin where he’d nicked himself while shaving two days ago. His eye doctor told him he needed bifocals, but they were overpriced. Everyone tried to pull a fast one on an old man. “Please, I would just like to pay and go. I’ll get the nutmeg from a neighbor,” he interrupted.

Kitty pressed a button, causing a drawer to slam open. The clicking noises from the drawer and the clanging of coins grated on Ernie’s eardrums as she retrieved his change. As she handed him the cash, she shut the drawer with her hip. “Of course, sir. And you won’t need the nutmeg. Don’t worry.”

Then a small machine emitted a whirring noise, and a receipt printed about a mile long. What a waste of paper for one item. Just as Ernie was about to snatch the receipt from her hand, Kitty turned toward another printer—one that had just beeped. And out came some coupons. She turned to hand them over. “I don’t need those. I won’t be back.”

After getting home from the store that day, he’d checked his spice drawer and found just the right amount of nutmeg left for his recipe. His pierogis were a hit, even with his picky grandkids. Nutmeg was a new addition to his recipe; how could Kitty have known he would need it? What an odd coincidence. For a month, Ernie could think of nothing other than this young lady. In that one conversation, Kitty seemed to know more about him than Ala and Frank did. They were kind young kids but never learned more about him than his grocery preferences at Ziggy’s. Ernie could not figure out this girl, her exquisite intuition, her sparkling kindness. Most of the young Walmart workers were surly or bored, frowning or yawning in his face. Kitty hadn’t bristled, yawned, scowled, or reacted at all to his grumpiness.

When Ernie’s daughter Addie, his youngest and furthest away, came home to visit, she needed something from the supermarket. Ernie offered to tag along, but almost reconsidered after she told him what she needed—some feminine hygiene product. She seemed to find it amusing that he’d recoiled at the thought of a period. Instead of bowing out, he scowled at the red tulip tattooed on her shoulder and snatched up the car keys.

When they entered the store in a blast of cold air, Ernie didn’t want to seem creepy, so he resisted the urge to peek at the cashiers—three today. He hadn’t admitted to Addie that he’d only tagged along to talk to a specific cashier again—a psychic cashier—because she would just write it off as Old Man Craziness.

After Addie got her feminine products—Ernie still couldn’t say the word tampon—she dragged him over to the self-checkout lanes. Ernie protested. Why should he do someone else’s job? He’d always wanted to keep busy when he worked as a young man. Addie did not budge, but she made no protest when he wandered off toward the cashiers. And on lane 6, Kitty’s smile greeted him. He hung back while she finished up with her customer—a good-looking young man buying some chewy candy to rot his teeth. Kitty held a hand out to Ernie. “Hello, Mr. Kowalski. How are you today?”

Ernie shook her hand, embarrassed at the unsteadiness of his own. “I’m okay. My daughter’s in town.”

The cashier glanced past his shoulder. “Is that her back there?” She pointed toward Addie, who was sitting on a bench near the bathroom. Addie hadn’t even bothered to look for him before taking a phone call.

“Yes. Addie, my youngest. She lives on the West Coast. Too far away.” Addie had moved away for college and never came back to Niles for longer than a week. His other daughters had never left, and he liked it that way. Ernie himself didn’t like to venture too far from his neighborhood. He remembered a time when he could hear Polish and English being spoken up and down the street as they sat out on the porch of his humble brown house. Now the Polish had nearly disappeared, except at church.

Though he was glad to have her at home, Addie had been acting strange on this visit. She would come into a room, apparently ready to talk, and then just sit down silently. He suspected Addie was hiding something from him, and her distance from home had made it easier for her to keep up the secrecy.

Right after he thought this, Kitty leaned forward, a strange gleam in her eye—though he thought that might be the flickering light to the left of them. “Your wife is there on the bench. With Addie. I think Addie is talking to someone named Jack? Jake? Anyway, your wife approves. Addie is hiding the engagement ring.”

Ernie staggered back, unable to shake the feeling that Kitty had read his mind. Addie had been an accidental child, she was much younger than her other siblings, only in her early thirties. The only one not married. Before Ernie’s brain quite caught up to this information, Kitty squeezed Ernie’s hand and said, “I have a customer. See you later, Mr. Kowalski.” Ernie wanted to question Kitty further, to ask her if Addie had been talking to her earlier. Surely, she couldn’t just know these things from intuition. But the woman waiting behind him was tapping her claw-like nails on the conveyor belt, so Ernie motioned to his daughter to follow him out of the store.

Once they were in the car—the tiny Camry that his wife used to hate driving—he asked Addie about getting married. She didn’t seem too startled that Ernie had figured out her secret. She simply said, “I’ve been wanting to tell you.” He noticed she was pulling at a hangnail, a habit he thought she had overcome. “Jane got me an awesome ring. I think you’ll like it.”

 “Jane?” Ernie said, startled at the female name. To hide his surprise, he asked her about the proposal. Maybe he’d just heard wrong.

As Addie rambled about how Jane had proposed—“at the art museum, near my favorite painting”—Ernie realized that Addie must have been bursting to tell him. Although he had his reservations about his daughter’s choice of life partner, when he noticed the grin on her face, he supposed Jane couldn’t be much different than Jack or Jake. It would just take some getting used to. He rested his hand on her arm and said, “I’m looking forward to meeting her.”

Addie left a week later, having promised to bring Jane soon to meet Ernie. Ernie was surprised to find himself looking forward to the visit.

After two weeks of pointless supermarket visits, after “Mr. Kowalski” became “Ernie,” the question he’d wanted to ask since their first interaction burst from his mouth. “How do you know these things, young lady? How do you know my wife?”

Kitty, for the first time, frowned. She glanced down, her dark hair hiding her eyes, as she retrieved his change. “I’ve only known your wife in death. It’s how I know most of those around me.” Kitty dropped the coins into his shaky hand, which hadn’t stilled since his first trip to Walmart. She seemed unwilling to look into his eye while he doubted her.

The coins clanked into Ernie’s pocket. “Are you trying to convince me you talk to the dead?” Ernie wondered if it was Kitty who should be worried about her sanity, not him. Communing with the dead was tantamount to black magic, a heresy. He considered referring her to his church.

“Oh, yes. My mom can, too.” Kitty didn’t seem to be joking. Either she was a good liar, or she believed what she was saying. Or maybe his wife really was standing behind him.

“What does she look like?” he asked. This would be the real test of her truthfulness. Although, even if Kitty was lying, Ernie wasn’t sure he could handle it if she said his wife still looked like that decimated body he’d lived with for two years. The afterlife must be more forgiving than that, surely. God wouldn’t do that to her, not such a kind and understanding woman.

Ernie was startled to see Kitty’s teeth flash again, her eyes flickering toward the space behind his left shoulder. Every time she interacted with his wife’s spirit, she seemed even more content, like she was going into a happier realm. Perhaps that’s where her constant smile came from. “She is young, and pale blonde, and wearing her favorite Sunday dress. The one with the lace she sewed to the ends of the sleeves. She’s beautiful.” Kitty fidgeted with the eye-shaped ring on her finger as she spoke.

Ernie knew the dress—green fabric, white lace, and black Mary Janes. His wife had been a beauty, and so had her soul. The only way Kitty could know this was if she saw the picture of his wife he kept on his nightstand, or if she really could see her spirit. He wasn’t sure what to say, how to respond—his thoughts were all jumbled up.

Just as he was about to convince himself again that Kitty was merely pulling his leg, she said, “Have a wonderful day, Ernie. I hope you have a good time at the park. Let me know how your book is next time you come in.”

“I will.” Ernie bristled at her uncanny knowledge of his future plans. He’d never put much thought into his beliefs about clairvoyance, but he knew, without Kitty telling him so, that his wife wouldn’t have wanted him to doubt.

At the park, he read distractedly, taking in very few words at a time. Eventually, he gave up and watched the activity. A bird chirped in the tree beside him. A small beagle clambered after two frantic squirrels. A family of three ate a picnic lunch on an army green blanket that clashed oddly with the fresh green grass. Four teenagers rode bikes down the sidewalk in front of him, laughing at some joke Ernie couldn’t hear. One of them waved. Ernie squinted. It was Frank, one of the regular cashiers at Ziggy’s. Ernie waved back, and Frank stopped as his friends rode on. “Mr. Kowalski, where’ve you been? Ala and I were thinking something happened to you. And Mr. Ziggy’s pretty bummed about losing his best customer.”

Ernie shrugged guiltily, because even as he’d been trying to read and enjoy being outside in the park, he’d been thinking of Kitty and his wife. He shouldn’t have abandoned Ziggy’s, a place that had never let him down, that had won his respect over thirty years of patronage. “I’ve been visiting a friend. But you’ll see me there this Wednesday, young man.”

“Awesome, I’ll see you there, Mr. Kowalski. Enjoy the nice weather!” And Frank was off. What a nice young boy. He was much taller and lankier than Ernie had ever been, but the boy’s mother assured Ernie that Frank ate enough for two.

On Wednesday, Ernie visited Ziggy’s market to do his normal shopping, spoke with Ala about her college scholarship, and let Ziggy inform him about the latest neighborhood gossip. As he browsed the familiar aisles—half the size of the aisles at Walmart—Ziggy gave Ernie an earful about loyalty and sticking with tradition, making Ernie feel even worse about abandoning his friend. The fluorescent lighting seemed dimmer than usual, and the checkout counter didn’t move like the conveyor belts, but Ziggy’s still had the best Polish spices. Frank helped Ernie out to his car, chatting mindlessly the whole time.

Ziggy’s usually gave Ernie a sense of pride in his Polish ancestry, in his neighborhood, in the youth of today. But the shopping trip was less satisfactory than usual. He felt he’d made the trip without his wife. Ernie had gotten used to her presence. So when he got home and realized he’d forgotten cilantro, he drove to Walmart instead.

He didn’t see Kitty at the cash registers and felt ridiculous for driving all this way. Ernie paced in front of the checkout lanes for five whole minutes, mumbling to himself about cilantro and clairvoyance and his wife. He shouldn’t have expected the girl to work every day, and surely she would think his behavior was odd. Then another young lady—Nithali. Cashier—wandered toward the end of her lane and peeked around the magazine display to address the crazy old man. “Sir, I can help you down here,” she said.

Ernie blinked for a long moment. “Oh, yes, of course. Thank you.”

The young lady was nice, helpful, and didn’t get upset when he grumbled, but Ernie couldn’t shake the unsettled feeling that had taken hold of him. Ernie felt as he did the first day he came—he didn’t belong here. He belonged at Ziggy’s. He left through the automatic sliding doors with the resolution to keep his shopping adventures limited to one store, the only store that had served him for years.

Another month passed, and Ernie gazed at the picture of his wife in her green Sunday dress every day. He missed her. And not just her old presence, her living one, but her new presence, too. He visited the cemetery, but a gravestone didn’t quite do the trick. He still teared up at the sight of his wife’s name on the stone.

The same day he went to her grave, his phone rang. His phone was old, still connected to the wall by a curly cord, so answering it meant getting up and trudging into the kitchen. “Hello?” he nearly growled into the receiver. Addie and Jane were on the other end. Although he hadn’t wanted to meet Jane over the phone—technology made everything too impersonal—Ernie pulled up a chair from the table and sat down to chat with the couple. Jane spoke almost fluent Polish to him; she had studied in Kraków for two years. Ernie’s own Polish was rusty. It had always pained him that his daughters hadn’t learned to speak the language, but as he listened to Jane, he hoped she might teach Addie.

“Has Addie shown you the pictures of my church?” Ernie asked in English, hoping they’d been won over by its stained-glass windows and handcrafted pews. They even offered a Mass in Polish for the traditionalists. He and his wife had gotten married in that church, a small gathering with close family and friends in the neighborhood. They’d had the reception in the backyard of their house, and Ernie and his wife had cooked all the food.

“Yes, and it’s beautiful, Ernie, but…” He heard the hesitation in Jane’s voice and shifted in the hard wooden chair.

“We already have everything planned for here,” Addie finished for Jane. Ernie knew exactly what look Addie was giving her fiancée—eyes rolled, eyebrows raised, wrinkles on her forehead. He’d already tried to convince her to come back for the wedding, but she’d remained adamant about staying on the coast.

“I suppose an expensive plane ride is in my future,” he said, accidentally letting his exasperation slip into his tone. Ernie merely wanted his daughter to connect more to the heritage she seemed to be running from.

Jane’s tinkling laugh rubbed uncomfortably against Ernie’s annoyance. “How about this? We keep the wedding here, but Addie and I promise to come visit beforehand. That way we all have to pay for expensive plane tickets.”

Ernie had to admit that meeting Jane in person before the wedding sounded appealing. He wanted to see what she looked like, if her expression was as happy as her voice, if she was taller or shorter than Addie, if she would get along with his other daughters. “Okay,” he agreed.

“Oh, you should make Mom’s chocolate budyń,” Addie suggested, giving Ernie the sneaking suspicion that she wanted to visit just for his cooking. She’d loved eating the budyń as a child. Ernie supposed that this was as good of a return to Addie’s heritage as he was going to get. And maybe Kitty could get his wife to tell him the secret to her recipe.

As he agreed to make them an entire traditional Polish meal, he tried to shake off the thought that he really could commune with his wife. It unsettled him that the thought had come so naturally. The two women signed off shortly after, promising to talk again soon.

A few days after Addie’s call, Ernie convinced himself he needed to buy something on a Sunday, so he drove down to Walmart and searched for some apples. He had some at home, but this supermarket had more types of apples than Ziggy’s, and Ernie felt like trying something new. After some mental math, Ernie decided that the mesh bag of Fuji apples would be cheaper per apple and headed to check out, humming an old tune from his childhood.

He peered over the displays at the end of each lane, all the way up until number eleven, but he saw no one with short dark hair. Kitty still wasn’t there, and he didn’t feel a hand on his shoulder. Ernie was alone. He wandered to the self-checkout, feeling silly for driving all the way here for apples even though he had some at home. A frivolous waste of money, but he bought them anyway to make his trip seem worthwhile. The self-checkout shouted at him the price of the apples, and it took him a moment to figure out where to insert his cash. Then the change clanked in the small bowl and his receipt printed from the machine. He trudged back to his car, frowning even as a supermarket employee smiled back and told him to have a great day. He thought they should all think of their own adjectives. Kitty never used the same one—fantastic, super, lucky, relaxing. Never “great” or “good.”

This became Ernie’s daily routine. He convinced himself he needed something that Ziggy’s didn’t sell, and he ended up with a pile of junk on his countertop—a new can opener, a potato peeler, a short novel he never intended to read, a bag of mints, some batteries, containers that supposedly kept food fresh longer, new table cloths, and a new type of salad dressing he thought sounded tasty. But the pile of junk merely reminded him of his wife’s absence, and as he sat on his bed gazing at her in her Sunday dress, he realized he had become a crazy old man. He’d become that old person that young people make fun of or call “cute.” Ernie didn’t want to be “cute.” He’d lived a full life. He was a father, a husband, a cook—not just a crazy old man.

Still, Ernie couldn’t seem to help himself. The pile of junk grew and grew along with his disappointment. He tried to gather the courage to ask a manager where Kitty was, but he thought he would sound creepy and didn’t want to get kicked out of the store. He felt his wallet getting lighter day by day, and his longing for his wife increased with each item added to the pile on his counter. At least he’d used the salad dressing.

After two and a half weeks of squandering money, Ernie walked into the store and heard, “Hello, Ernie! Long time, no see!” Ernie peeked cautiously over at cash register number seven, hoping he hadn’t started to hear voices. He’d always feared that if he did go insane, his daughters would check him into an institution, because none of them had enough free time to take care of him like he’d taken care of his own parents.

Ernie peered down the row of cash registers and saw Kitty talking to a lady with a huge package of paper towels. Kitty waved at him. Trying not to look too relieved, Ernie took a water bottle from a refrigerator and walked up to her register with a smile. “Where have you been?” he inquired, wincing at the gruffness in his voice.

“Oh, my mother took me on a trip to New Orleans. I have family history there, and she wanted me to learn more about it.” Boop. She rang the water bottle through, a strange expression on her face. Ernie noticed that she hadn’t smiled back at him, and wondered if she was feeling alright. He felt it would be imprudent to bring this up, so he awkwardly tried to keep the conversation light.

“Did you learn about, uh… voodoo and Mardis Gras and the French?” Ernie said, suddenly aware of how little he knew about New Orleans.

Kitty laughed and took the dollar bills from him. “I learned some of that. Your wife knows a bit about voodoo, she’s saying. Maybe that’s why I can see her.”

Ernie thought back to when his wife had bought all those books on voodoo culture in New Orleans. She had always picked up strange books, getting hooked on one subject or another for weeks. Ernie preferred his old-fashioned murder mysteries. He remembered sitting in the living room with a blanket over both of their legs, reading on the couch together with the radio tuned to the oldies station. “What else did you learn?” he asked, wondering if she could point him toward a voodoo book his wife might have read.

Kitty frowned again, staring at the money he’d handed her. “I learned a lot from my ancestors,” she said simply. Ernie took this to mean that she’d spoken with her dead relatives. That was enough to make anyone melancholy, especially knowing they could never fully come back to life. It was how he felt leaving Walmart—like he was losing his wife again. He always prolonged his conversations with Kitty just to be with his wife a little longer.

Seeming to shake off whatever melancholy memories had intruded upon her normally cheery demeanor, Kitty glanced behind Ernie’s shoulder where his wife usually followed. “Your wife certainly wants you here for a reason.”

“At the supermarket? But we’ve always gone to Ziggy’s.”

She just shrugged and dropped the coins in his hand. Then she plucked the receipt from the printer and handed it over without an explanation. She knew now to throw the coupons away.

“Why did my wife want me here?” Ernie tried again.

Kitty held her breath for a moment to listen to something he couldn’t hear, someone he couldn’t see, but he could feel his wife behind him. Finally. He closed his eyes as the invisible hand touched his shoulder, resting his own hand on the empty spot. “She won’t tell me.”

That sounded just like Ernie’s wife. She was stubborn, always wanted Ernie to figure out what lesson she was trying to teach him. But she was dead, what lesson was he supposed to learn from her now? If he didn’t figure it out, he would hear no end of it in the afterlife.

An impatient “ahem” cut into their conversation. A mother with a sleeping baby stood behind him in line, waiting for Kitty’s cashiering services. She gave Ernie a look that told him she’d overheard the conversation. She was looking between the two with annoyance and skepticism, seeing just another crazy old man and a too-friendly cashier.

And as much as he wanted to grumble something rude about the mother, Ernie instead mimicked Kitty’s shrug, although he ended up looking like he was twitching and abandoned the effort. “I suppose I’ll have to keep coming back until I figure out what she wants,” he said to Kitty in a loud whisper.

The cashier smiled easily. “I suppose so, Ernie.”

Then Ernie laughed, wheezing ever so slightly, and the hand on his shoulder squeezed tighter. He left the supermarket and the impatient lady behind, smiling as he went. Ernie drank the bottle of water, recycling it once it was drained. He decided that when Addie and Jane visited, he would make the best chocolate budyń they’d ever tasted, even if his wife refused to help with the recipe.

Two months before the wedding, Ernie was planning a big meal for Jane and Addie’s arrival. He’d invited his other daughters and the grandchildren, so he knew he needed a lot of food. Determined to make a delicious and traditional Polish meal, Ernie headed to Ziggy’s to get all of the ingredients and spices he needed. He’d been going to Ziggy’s on Wednesdays, as usual, and Walmart on Sundays, for anything he “forgot.” And Ernie had conveniently forgot to buy mushrooms for his potato pyzy stuffing. On Sunday, he grabbed the book he’d found in his wife’s nightstand drawer and headed out.

As Ernie wandered through the Walmart aisles full of colorful cans and boxes and sale signs, some of the regular workers greeted him with a “Hello, Mr. Kowalski!” or “What’s up, Ernie?” and he couldn’t help but walk with a jaunt. He felt his wife walking on his heels, about to step on his shoe. Ernie found a package of fresh mushrooms and made his way more quickly to the checkout lanes, seeking out Kitty. He’d come to think of their exchanges as free psychic therapy, if such a thing existed.

Ernie spotted Kitty leaning against the counter at her register, speaking animatedly with a girl about her age. Three other people were in line, and even though other lanes had fewer people, Ernie was glad to wait. He even chatted a little with the man in front of him who was buying a gigantic bag of dog food. The man showed Ernie pictures of his dog, a Mastiff named Tinkerbell. Ernie was still chuckling about the dog’s name when he made it to Kitty’s register. Though Ernie imagined that Kitty must be tired after so many customers, she still greeted him with a cheery, “How are you, Ernie?”

“Wonderful,” he answered, handing her the mushroom package. “I’m meeting my daughter’s fiancée tonight.”

“Oh?” The loud boop no longer jangled Ernie’s nerves.

His wife’s hand appeared on his shoulder, and Ernie instinctively rested his own hand in the same spot, pretending he was holding his wife’s hand there. “Yes, I’m making dinner.” Ernie was getting a little impatient, hoping that Kitty would tell him about his wife—that she approved of his dinner plans, that she was finally going to reveal the secret to her chocolate budyń.

The cashier’s eyes flickered to the space behind Ernie like she’d heard his request. “She’ll be there with you. Don’t worry.” Kitty hadn’t answered any of his questions, but somehow it was the answer Ernie needed.

Ernie then slipped a paperback book out of his back pocket and set it next to the cash he set down. “I found this book of my wife’s. About voodoo,” Ernie said, wondering if it was odd to give gifts to a cashier—or a psychic. Kitty picked up the book with both hands and studied the strangely dressed woman on the cover. Then, noticing the line forming again behind Ernie, Kitty set the book down and retrieved Ernie’s change from the drawer. She then nodded toward where his wife’s spirit lurked. “Thank you.” Then she turned back to Ernie, dropping the cash and coins into his hand. “Good luck at dinner, Ernie.”

But Ernie knew he didn’t need luck. If his wife was watching while he made the budyń, she wouldn’t let him get it wrong. Maybe being a crazy old man wasn’t that bad, after all.

-Ryn PB

Author’s Note: This is an older story from two or three years ago. My computer broke and I didn’t have it for over a week, plus a couple other boring excuses, but the point is that I didn’t write anything new for today. So I hope you enjoyed this one, even if it’s not super new. And happy belated Valentine’s Day!

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My Favorite Books of 2023

It’s time for my 2023 Reading Wrap-up—a month late, but better late than never!

Note: I discuss several sensitive topics in this post: sex, bigotry (specifically several types of queerphobia), suicide, substance misuse, and eating disorders. Read with caution. I will put asterisks by the books in which these topics are discussed.

Statistics

I read 59 books in 2023, over three-fourths of which were fiction. My top five most-read genres are no surprise: young adult, LGBTQIA+, fantasy, mystery, and contemporary. Well, mystery is a little bit surprising, but I attribute that to the Hardy Boys and Psych books I read. I read the most books in June (8 books) and August (10 books)—thanks for giving me energy, sunshine! The seasonal depression dies in summer, leaving room for more reading (as long as the anxiety doesn’t take over…). My average rating on The StoryGraph was 3.58 stars, which I think is pretty good! Not a lot of bad books this year, and the few bad ones were overwhelmed by the good and great ones.  

Speaking of the good and great, I’ve gathered together the titles of the best books I read in 2023. Read ahead to learn what each book is about and why I picked it!

Carrie Soto Is Back by Taylor Jenkins Reid (4.0)

Carrie Soto’s big tennis record is about to be overtaken by a new player, and despite being in her thirties and being disliked by many tennis players/fans/announcers, she’s determined to retain that record. Carrie Soto believes she is the best tennis player ever, and to prove this point, she returns to the court for the major tournaments with her father as her coach.

I hesitated to put this one on my list, partially because it’s the only four-star book on the list, and partially because I’ve heard tell of Taylor Jenkins Reid being a Zionist, amongst other authors. But the truth is, I really did enjoy this book. Carrie Soto is an unlikable person but an interesting character, and because my family and I went to the U.S. Open in NYC this year, I really enjoyed the tennis history and playing in the book. And although the ending was a little predictable, I still liked the story’s resolution.

I also enjoyed that Jenkins Reid explored the “celebrity” part of being a professional tennis player along with the sports part. It’s a kind of parasocial relationship I really haven’t read or thought about that much.

Legends & Lattes by Travis Baldree (4.5)

Viv is an orc used to being a roving warrior who is finally settling into one place to start the first café in the city of Thune, though she soon finds that she will need partners and friends and customers to make this a reality. Despite the citizens of Thune never having heard of coffee, Viv will make sure they never forget it—and for all the best reasons.   

This story is found family at its best, with the unforced diversity that fantasy often lends itself well to. This book meanders at the perfect pace, like going for a walk to and from the library—your feet might hurt a little, but there’s a purpose to the outing and an overall sense of calm. Sunny with a couple of clouds shading the world every now and then. Basically, insert any metaphor that conveys comfort here and you’ve got the vibe of Legends & Lattes.

The Last True Poets of the Sea by Julia Drake (4.5)*

While her brother Sam is in treatment after a suicide attempt, Violet is sent to the town her family is from and used to visit every year: Lyric. Lyric is named for the lost shipwreck that supposedly brought one of Violet’s ancestors to the area who eventually founded the town. When she’s not working at the town museum or trying to forget previous bad decisions she’d made, Violet sets out to find this shipwreck and prove her family’s mythology no matter what.

This book was my “biggest surprise” choice for the Mid-Year Book Freakout Tag, and it still stands as one of the biggest surprises of the year. Considering that I’d just bought it on a whim, for it to make my favorites list is pretty extraordinary. It’s a story of someone who has lost hope eventually finding that they can be hopeful for different things, a story of searching for proof of a family myth, and a story of mental health and difficult family dynamics. Again, the main character in this story is not entirely likable, but still interesting and ultimately proves that everyone has both good and bad in them. The story has stuck with me so long because this is the type of book I’d like to publish one day—a young adult novel that deals honestly with complicated topics without those things impeding the characters’ growth.

The Appendix by Liam Konemann (4.75)*

Liam Konemann started this book as a list of all the transphobia he came across in his life, but because this endeavor was negatively impacting his mood, he instead wrote a book about the beauty of transmasculinity and the possibility of a future full of trans joy.

As a transmasculine person who is becoming increasingly disheartened by the continued existence (and even increase) of transphobia and violence against trans people, a short little book like this is enough to give me hope. It reminded me to think about all of the wonderful things about being trans—the community I’m part of, the confidence to make my body my own, the ability to define what my gender means to me, and so much more.

A Cuban Girl’s Guide to Tea and Tomorrow by Laura Taylor Namey (4.75)

After a trio of horrible incidents, Lila Reyes’s family is worried about her mental health and sends her to stay with her family at their inn in England. All she wants is to take over her grandma’s bakery and sulk over losing her boyfriend and best friend, but when she meets Orion Maxwell and is able to help out in the inn’s bakery, the summer starts to look up. Lila brings the taste of Miami to small town England, and Orion brings the taste of English tea to this Miami girl. Suddenly, the future looks less certain and yet brighter.

I really loved this book. It’s wholesome in all the best ways, and the perfect YA story of how life often throws you a different future than the one you’d expected, and how it’s okay to take a chance on that future instead of sticking with the one you’ve been beholden to forever. It kind of reminded me of an updated Anna and the French Kiss by Stephanie Perkins—American gets sent to Europe against her will and ends up enjoying herself, making friends, and maybe just maybe falling in love. Plus, I love a good baking/cooking element in a story (despite the fact that I myself dislike doing both things), and now I will be searching for more tea-related stories, because that part was delightful.  

Heartstopper, Volume 5 by Alice Oseman (5.0)*

The penultimate volume of the Heartstopper graphic novel series, this book explores a new chapter in Charlie and Nick’s relationship. With a few friends, Nick is embarking on the journey of looking at universities while worrying about leaving Charlie behind. Charlie is still tackling his eating disorder and other mental health issues while learning how to support Nick even if it means being physically apart. During this summer, the two boys also decide they’re ready to have sex and navigate this new type of intimacy together and with their friends’ advice.

Heartstopper is hard not to love, not only because it offers such warm vibes, but because Oseman has their characters openly discuss real and complicated issues that teenagers face. Many teen books (even specifically queer ones) don’t address non-heterosexual sex (or really any sex other than stereotypical penetration involving a penis and vagina), but the Heartstopper gang discuss these things openly with all the awkwardness and honesty and different levels of experience that teenagers have.

So much happens in late high school/secondary school, you have to make so many decisions that you are told will impact the entire rest of your life, and it can be overwhelming even with being queer and/or mentally ill. Without losing the overall hopefulness and wholesomeness, Oseman’s characters tackle these difficult issues. Healthy relationships like these—both friendships and romantic relationships—are so rare in mainstream media, and I’m glad that Heartstopper has become mainstream for those who need to see happy queer stories.

My Lesbian Experience with Loneliness by Kabi Nagata (5.0)*

In this manga, Kabi Nagata shares the journey she took exploring her sexuality, mental health, and other aspects of her coming of age. Kabi takes her sexuality into her own hands in this narrative and becomes more comfortable with herself in all aspects of life—with trial and error.

The art is undeniably unique in the best ways, recognizable as manga yet more fluid and soft than ones I’ve read before. But the story is what landed this as one of my favorites of 2023. Like Heartstopper, Kabi tackles the taboos and awkwardness and joys of navigating queer sex for the first time. She discusses many emotions and thoughts that I’ve had before about being a queer person and fearing the uncertainty of queer relationships. This is literally the only thing I could type up on The StoryGraph after I’d read it twice in a row: “Damn… this is the type of shit I needed to hear. And that I want to be able to say through my own storytelling one day.”

Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin (5.0)*

Sam Masur and Sadie Green met years ago in the hospital—Sam recovering from a tragic car crash that leaves him disabled, and Sadie visiting her sick sister. The two reconnect in college and decide to collaborate on a video game that becomes a runaway hit: Ichigo. Success and business, creativity and love, ability and money, and identity and loss all complicate the initially simple joy of creating an escape from reality that they can share with others. This story is ultimately about the human condition in all of its good and bad manifestations.

In my Mid-Year Book Freakout Tag, I chose this book as the best book I’d read so far, and no book managed to usurp it in the past six months. In fact, I mentioned it three or four times in that post, and I still can’t stop thinking about it! This book deals with so many incredibly complicated topics without seeming forced, and it made me care about video games (in the context of the story), which is something that is not usually on my radar.

One of the reasons I can’t stop thinking about this book is because I was able to picture quite a bit of it in my head. There are snapshots I could see almost as clear as day—Marx waiting for his partner at the end of the torii gates, Sam and his mother coming across a woman who’d committed suicide, the graphics of Sam and Sadie’s video game Ichigo, and parts of the scene in which two gunmen infiltrate their business headquarters. It’s a heavy book but not hopeless. It’s beautifully written but not inaccessible. It’s got characters that aren’t always likable but are always interesting. I feel like I will get something new out of every reread of this story, and I can’t wait to read it again and again.

Conclusion

I’m starting my 2024 reading year with only one goal in mind: to read when and what I want. Instead of setting a reading goal for the amount of books I’d like to read, I’m going to set my “official” goal at one book, so I can stop worrying about an arbitrary number past Ryn probably came up with on a whim. I want to focus a bit more on my writing this year, and I can’t do that if I’m preoccupied by meeting a random reading goal.

In 2024, I’m going to continue trying to do the things that matter to me rather than just finding activities to fill time. I’m always so worried about wasting time that I end up wasting more time than I would have had I just done the things I was worried about not having time for.

Well, that’s all, folks! Cheers to 2024!

-Ryn PB

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Boy Band Music Critic 7: ZAYN

Intro

Ahem. Testing… 1, 2, 3. *Feedback.* Okay, please excuse me while I don my Boy Band Music Critic hat… Ready! Let’s go!

In July 2023, Zayn Malik (or ZAYN), previously of the boy band One Direction (1D) and now an accomplished solo artist, gave his first interview in six years on Alex Cooper’s podcast Call Her Daddy. He’s known for being the first to leave 1D before their disbandment and for his honesty about dealing with anxiety and disordered eating. He is also famously private about his relationship and subsequent falling out with Gigi Hadid, with whom he has a daughter. For a while, ZAYN has been living a quiet life in Pennsylvania with a myriad of pets. (My favorite comment from this new interview is that ZAYN says he got too attached to one of his chickens before it died and now does not name his chickens. This small comment strangely captures the vibe of his music.)

ZAYN is not sorry about living a more private life, especially when considering his daughter’s relative anonymity and the lack of privacy he had while in 1D. He wants his daughter to have “an option … If she wants to be away from it, she can be out here.”

I love the idea that ZAYN became the “mysterious one” by default. “That wasn’t necessarily my personality; I’m just chill,” he said.

I feel like I do have to address the harassment charges brought against ZAYN by his previous partner Gigi Hadid. He officially pled “no contest” to these charges, though it seems to be well known that he and his former partner’s mother had a contentious relationship that complicates the matter. Even so, I always err on the side of believing the victim over the aggressor and wanted to mention this in case anyone would like to stop reading here.

ZAYN’s daughter is now his main inspiration and the reason he’s back in the public eye for this brief moment. He wants to be a “good example to her” as someone who can look his anxiety in the face and do things anyway.  

This interview came out right before his new single “Love Like This” was released, so even if everything ZAYN says is genuine, I can’t help but think that the timing is a bit convenient. More thoughts on the song below.

All of this is to say that, even though it’s accidental, my review of ZAYN’s music happens to be timely. ZAYN is making his return to the music scene slowly but surely, and there is even talk of him going on a tour despite his well-documented performance anxiety. I appreciate that someone who is seen as somewhat otherworldly has been honest about his very real struggles.

When I was doing my Boy Band Music Critiques on Twitter, I somehow skipped ZAYN’s second album, so I’ll be covering Icarus Falls along with a few of his more recent singles. The album and singles were created in completely different spheres from each other, but they all seem to follow ZAYN’s internal and external trajectory. The album is very relationship-focused, whereas his singles are a bit broader.

Let’s begin!

Icarus Falls (2018) by ZAYN

“Let Me”: “Duvet days and vanilla ice cream” is apparently the most well-known lyric from the album. This song is jammin’, tbh. It’s like a mix between R&B and ’80s pop.

This song is reminiscent of wedding vows in that it talks about personal experiences but also promises love and commitment for life. ZAYN’s promising luxuries and lifelong adoration; not much else you can ask from a prospective partner. (Kinda reminds me of Nick Jonas and Priyanka Chopra in that it sounds like he’s describing a trophy wife/trophy husband pairing.)

“Natural”: Immediate sexy vibes just from the rhythm and beat. I also love an ocean metaphor, especially one that’s about breaking down barriers.

ZAYN’s vocals in these first two songs are so smooth. There’s no other way to describe it.

“Back To Life”: Oof, this is gonna be one of those too real songs, isn’t it? Talking about his mental illness(es) in terms of losing lives in a video game or forgetting lines while acting… ouch!

The message behind this is so wholesome—that his partner can ground him when his anxiety and struggles get too much for him. “And if I lose the fight / I know she’ll bring me back … to life.” It hints at the kind of understanding for someone else that is hard to come by; this person knows exactly how to soothe his worries.

“Common”: Okay, got some piano ballad vibes going along with an R&B beat. Editing Ryn here. Be prepared for “vibes” in all of these critiques. Apparently it’s my favorite word when describing music!

He sings about a relationship feeling extraordinary even in ordinary moments. One thing I like about ZAYN’s lyrics, especially in this album so far, is that he talks about sex as being part of the intimacy of a relationship rather than the main thing. It’s an expression of closeness to another person, and even though the world is “mistakin’ love for lust,” ZAYN makes it clear that love and lust together are a big part of the uniqueness of the relationship. (Editing Ryn Disclaimer: Nothing wrong with a purely sexual relationship! I’m just on the ace spectrum and like seeing other interpretations of sex.)

“Imprint”: Okay, swift start, right into the lyrics.

This has “our relationship is over but it was a matter of fate that we were together for that time” vibes. Relationships that are fated to be and fated to end always make for bittersweet memories. (See Hadestown…)

We’ve also got another video game reference to losing lives here. Maybe something he was thinking about while writing this album? The fact that we live different lives, in a sense, and can “lose” some without regretting the way the were spent.

“Stand Still”: Super eerie start to this song… Or maybe more like a cosmic feel. Again, back to that Fate gal. With lyrics about both natural and supernatural phenomena, this song feels almost like we’re following his soul as he astral projects. ZAYN uses what I think is a xylophone-type instrument to create an instrumental melody in the background. (Could be wrong there… Again, I’m not a musical expert by any means.)

Okay, electric guitar! Okay, voice doubling! *Snaps.* Even more supernatural-sounding, like an echo. Echoes always sound a bit eerie and supernatural to me; am I the only one?

“Tonight”: We’ve got that otherworldly and transcendental feel to the music again here. And more lyrics about time freezing, about “space and time” being something to notice only in the present, rather than worrying too much about it in the past and future.

I like the idea that his partner’s confidence is bolstered by his own trust in her. (“When you’re feelin’ yourself / I know you’re thinkin’ of me.”)

“Flight Of The Stars”: We start out with straight vocals, still with that echoey sound, and then a bouncing melody before the beat drops. It’s cool how the beat doesn’t drop until he goes from the metaphorical to the literal.

There’s also some more direct references to the album title with the flames and stars and burning; his willingness to do anything for her, to walk through flames or “go through Armageddon.”

“I’ll follow you into the flames” is emphasized with some harmonizing, which makes it clear that this is the message of the song. Not only would he go through all of this for her, he would let her lead him toward that pain if it meant being with her.

“If I Got You”: Loving this whole cosmic Fate theme so far. “Think I’m from space / My soul fell down / I found the Earth / Not leaving now / I know your face / Think you fell too / And it’s my place now, if I got you.” Both of them have different pasts and unknown futures, but the essence of their beings is the same and their true home is together.

This song is a bit more upbeat/intense than the others. I don’t know how to describe it other than that it feels “strong.”

“Talk To Me”: I love the vocalizations at the start of this song. They set up the bouncy vocals for the rest of it. Though I have to say, at this point, many of the songs are feeling a little similar. This could very well be because I don’t listen to a lot of R&B and can’t pick out nuances, though I do feel quite a bit of this album has pop influences.

This is another example of ZAYN making it clear that both the physical and spiritual parts of a relationship are important to him.

“There You Are”: Whoa, the start of this song is kind of trippy. Like I’m only partially hearing the words because my ears are stuffed up or something.

Ooohhh, the burst of passion with the words “there you are” signals that the arrival of this person is a big moment, almost an epiphany or miracle. Genius!

“I Don’t Mind”: Another piano-and-beat song. Is this what most R&B is? I feel like I’m an R&B newb.

This song feels different to the past four or five tracks. It’s simpler, especially vocally, and the message is more about not being afraid to “fall” because it just means he’ll have a chance to “fly again.”

“Icarus Interlude”: I’m interested to see how this acts as an interlude between the first half of the album and the second half. It’s just guitar and bass and a clear analogy about fame. It’s about reaching too high and finding that people don’t really know you. They just love this persona and the art you put out, to the point where some people will  blindly like whatever you do. (“Get the bees coming in for the honey I supply.”) It’s the existential crisis that comes from making your mark at a young age, for achieving so much in the public eye despite feeling like an imposter.

“I’ve been lying to the liars” and “I’ve been lying with the liars every night” are such simple and eerie lyrics that mean something so different despite their similarities.

The song ends with some vocalization reminiscent of South Asian music (I forget what this style is called, but ZAYN is Pakistani, so it makes sense that he would draw inspiration from this area’s culture), which I feel like reverses that sentiment. This is part of himself that he embraces truthfully even in the face of all the lying and faking he does as a public figure.

Gosh, I just love dissecting parasocial relationships…

I’ve definitely enjoyed this song. I feel like this is one I could dissect like a poem and find more and more meaning every time. (Plus, my cool Renaissance Lit professor would be proud of me for using the skillz she taught me! Sorry I didn’t get a Master’s, Cool Ren Lit prof!)

“Good Guy”: Omg, omg, I recognize this guitar melody! It’s from “Bang Bang (My Baby Shot Me Down)” by Nancy Sinatra! This song is on my “Murder You Can Sing Along To” and “Eerie/Melancholy Murder Vibes” playlists! Love when I recognize a sample in a song! (Art is a collaborative effort, everyone! As long as it’s done respectfully!)

Okay, I’ll cool it with the exclamation points now and get onto the current song at hand.

Interesting… after the interlude, ZAYN’s being honest about who he feels he really is. No longer just talking about fated relationships, but now also admitting that he has a hand in keeping these relationships going because “it feels right.”

This song is so eerie that it puts me on edge a little bit. This is so freakin’ good! Lyrics, music, atmosphere, and of course vocals – all A++.

(Side Note from Editing Ryn: I’ve been trying not to use the word “spooky” since learning about its racist origins. I learned about this from Jesse On Youtube, one of my fave booktubers and someone who is always honest about how their identities affect their experiences. Highly recommend you check them out! Also, be conscious and respectful of the fact that they use y’all/y’all’s for second person pronouns and they/them/theirs for third person pronouns. Do NOT misgender/misidentify them!)

“You Wish You Knew”: This song is more upbeat and jazzy. Another moment of honesty about a “fated relationship.” Love is not always enough; there has to be trust and vulnerability. Without those, the relationship falls apart on both sides with resentment and doubt. This song continues with the darker and more honest tone of the second half of this album, the fall from the sun.

I also like the lyric, “Don’t wanna make a headline and lose,” because it shows how fame and publicity can complicate relationships.

“Sour Diesel”: We start with a rolling bassline. This song is super poppy. Ooh, now some funky guitar!

Apparently, “sour diesel” is a strain of cannabis, so the vibe and analogy of the song make more sense now. Thanks, Genius Lyrics!

The lyrics are a different kind of realistic honesty, more about the sexy times of a relationship than how sex is intimate on many levels. About how sex is intoxicating. Maybe he’s also starting to “mistake love with lust.”

Those garage rock vibes really build throughout the song. It’s so cool. Might actually listen to this one more often.

“Satisfaction”: The drumbeat reminds me of the “sound of drums” from Doctor Who… (ZAYN’s version is more heartbeat-esque, though.) This song is a 180 from the rock music of the previous song. It’s much slower and more introspective, almost hauntingly so.

This song is also in conversation with a couple other songs that I can recognize—“The Scientist” by Coldplay and “(I Can’t Get No) Satisfaction” by The Rolling Stones. ZAYN takes the Rolling Stones’ lyrics and makes them more haunting and melancholy outside of their bitter and angsty origins.

I’m again super impressed by ZAYN’s songwriting (the song is co-written with producer Malay and possibly others; every source says something different and I don’t own the CD) and vocal delivery. He really has “the medium is the message” ingrained in his artistic process.

“Scripted”: The background sounds like the tick-tock of a clock, maybe showing how time passes even if you’re in a fog. We’ve got some minor chords, too, which we all know I love.

This is about not wanting to say something canned or expected, what he’s “meant” to say. He’s taking the Fate that controlled the first half of the album and saying he wants to do his own thing within that fated encounter. And yet, even though he’s bringing reality into destiny, the song itself sounds really dreamy.

“Entertainer”: I don’t mean this as a diss, but the background music of this song reminds of funky elevator music.

This song is an “our relationship is ending but neither of us want to end it” story. You don’t love me, and I’ve been entertaining your lies and with my own lies and acting just to keep the status quo. There’s also a sense of bitterness here, with ZAYN saying, “I’ll turn you down / When you need me the most.” Perhaps because he’s felt this way in the relationship before?

“All That”: Another sudden vibe change here… This is more like someone cherishing the last moments of a relationship, entertaining a nostalgia for how things used to feel. There’s an overarching idea of “giving” something just to take it away later.

“Good Years”: OOF. This is not so subtly about his performance anxiety and time in/departure from One Direction.

It’s an interesting thing to explore. How his youth was wasted because he was shoved onto this path to stardom. How he both made and lost friends on this path. How he didn’t have a chance to find himself because others’ opinions were too noisy. It makes me think about how singers and musicians have no other path but to get famous if they want success in their field. But what if someone just wants to make music, even though performing is not for them? Is there a path for that?

I know that I’ve felt like I’ve wasted time doing what was expected because it felt like there was no other route. I suspect many people feel the same.

“Fresh Air”: This kind of sounds like a track being played backwards at first. Or maybe being slowed down. It’s about how he needs to break up with a person and/or an activity to break out of a cycle, but also he explains that he “don’t wanna talk about it,” which points to a level of avoidance that perhaps is part of the problem. He wants a break rather than working through these things. Or perhaps taking a break is how he will work through them.

“Rainberry”: Okay, damn, just right into the next song. Let’s avoid dwelling on the seriousness of the previous song (fitting, don’tcha think?) and just move on.

The lyrics are about how he suspects his partner is seeing someone else, and he is confronting them about it, demanding honesty. This song is very funky, perhaps to show that he’s trying not to take this betrayal too seriously because he knew it was over before confirming this infidelity. He just needs to move on.

“Go wash your hands, but you can’t change your past.” – Damn, bro! Savage!

“Insomnia”: This song could totally fit in a playlist about Ronan Lynch from The Raven Cycle by Maggie Stiefvater. (“What if we never know why hearts deceive us? / The night calls to dreamers,” and, “My sleep was stolen / I’m searching for thieves.”)

This song feels restless, not quite a nightmare, but more like an unquiet mind. Which fits with the title and the theme of feeling hopeless without the return of his partner, even though his life seems to be going forward.

“No Candle No Light (feat. Nicki Minaj)”: I don’t know how else to say this but this song is a perfect blend of ZAYN’s and Nicki Minaj’s styles. There’s also a little bit of Major Lazer vibes.

The lyrics are again about a dying relationship, felt on both sides. Even though the lyrics are nothing groundbreaking, this is a really catchy song and definitely stands out from the rest of the album.

“Fingers”: This song returns to the R&B ballad genre with lyrics about feeling paralyzed by the end of the relationship. A different angle of the ending of a relationship—the emotions that flood you after it’s over, the regret and nostalgia and loneliness.

“Too Much (feat. Timbaland)”: ZAYN is singing R&B vocals over a hip-hop beat and it somehow works. This is yet another angle of the ill-fated relationship—one person wanting more than the other. One person more invested than the other, and therefore suffering more at the end.

I’m not sure Timbaland adds much to this song with his vocals. I feel like ZAYN could have delivered this song better in his own style throughout. Though I do like the juxtaposition of the R&B and hip-hop elements of the song!

“Still Got Time (feat. PARTYNEXTDOOR)”: Okay, okay, kind of island vibes here. I don’t much about PARTYNEXTDOOR, so maybe this is their influence?

This song kind of feels out of place on this album. It’s about convincing someone else to just have fun in the moment with each other rather than pushing too hard for something more. You could say this is the “rebound” song, but I still feel like that’s a bit of a stretch. It’s by no means a bad song, just might have been better either at the beginning of the album (like saying, “This started out as just something fun”) or as a single.  

“Dusk Till Dawn (feat. Sia)”: Again, this song feels like it should be in the first half of this album, as it’s about wanting to get to know someone and commit to them emotionally. It’s about wanting to support someone else, just like they support you.

Sia’s voice fits really well with ZAYN’s in this slower R&B style. It adds layers to this song by indicating that both parties of the relationship are saying this to each other. It’s a mutual want and commitment.

Okay, apparently this was originally released as a single. I’m not sure why it’s on the Icarus Falls tracklist on Spotify… But I definitely think it fits better as an unrelated single!

Final Thoughts: Overall, this album is really well put together! I love how the “Icarus Interlude” splits the more wistful first half from the more realistic second half. It really makes the album feel purposeful and powerful. ZAYN has once again impressed me with his skills, and even though I’m still not an R&B lover, I can definitely say this is some top notch music.

Various Singles & Cover

“Rumors (feat. ZAYN)” by Sabrina Claudio (2019): Not a huge fan of the Gwen Stefani-esque vocal style of Sabrina Claudio, but I do like the lyrics. They describe a sort of “fake romance becomes real romance” story. And I also like how Sabrina’s part is based on “rumors,” and ZAYN’s is based on confirming the rumors (or “mak[ing] them a reality”).

This song is growing on me, actually. “Know we can keep talkin’ through everybody that’s in this room / Or we can come face-to-face and find out if it’s true” is golden. Like, we’ve been circling each other and relying on secondhand knowledge, but it’s time to just face each other and see what’s real. And the somewhat sinister or eerie vibe of the background music fits this “rumors” theme very well.

“To Begin Again” with Ingrid Michaelson (2021): The lyrics of this song remind me of the Pixar movie Up. Melancholy yet hopeful. Definitely feels like a post-quarantine song.

Also, damn, ZAYN’s versatility knows no bounds. He literally just adopts the same singer-songwriter style of singing that Ingrid Michaelson uses with no difficulty. Their voices complement each other well, and I like how this song makes a point of using both voices to be in conversation with each other rather than just harmonizing.

Cover of “Angel” by Jimi Hendrix (2022): This cover was released on what would have been Jimi Hendrix’s 80th birthday. I kind of love this cover. It’s unexpected, but after listening to it, I can see how Hendrix’s music (or at least this song) could have inspired ZAYN’s music.

It’s a rock ballad, but as shown in “Sour Diesel,” ZAYN can modify his smooth vocals to fit the rock genre if he so chooses. A very well-executed cover!

Love Like This” (2023): Alright, this song is apparently ZAYN’s return to the music scene after years of not releasing original material. (He also did a sit-down interview for the first time in six years, which I talk about above! The lyrics reference his commitment to be brave as an example for his daughter, so that’s why I mention it here.)

This is already a different vibe than his previous music. Still uniquely “ZAYN,” but more up-tempo and positive. It’s such a cute dad song… “I guess that’s love like this / Usually, I never wanna jump like this / But I think I wanna dump my chips ’cause I cannot go back.” UGH, adorable. Reminds me of a ZAYN-ier version of twenty one pilots’ song “Formidable” about Tyler Joseph’s daughter. Songs about non-romantic love are not as abundant as I would like them to be, and this one is just the right balance of “you inspire me to be better” without putting too much on the shoulders of the kid in return.

This is the kind of unconditional love parents should have for their children. And I can only hope that ZAYN truly means it.

“Tu hai kahan (feat. ZAYN)” by AUR (2024): Unfortunately, I can’t read or understand Urdu, so I’ll be reading a translation of the lyrics. AUR is a Pakistani band, and ZAYN is of Pakistani heritage, so the collaboration definitely fits. It’s apparently a remake of the band’s “breakout hit.”

ZAYN’s voice again blends seamlessly into this collaboration. He truly is talented; his voice can adapt to any genre. This song is a bittersweet love song (fitting for ZAYN, no?) about someone pining for a person who is not with them. And the music completely adds to that bittersweet feeling. Even if I hadn’t looked up the lyrics, I could have guessed what this song was about.

As I got into K-pop and other non-English music the past few years, I was able to appreciate how music can truly transcend language even if languages are used in that music. Of course, reading a translation and/or understanding the lyrics adds another layer to the experience, but being able to appreciate something that I can’t fully comprehend has been an epiphany for me. I don’t need to know every little detail. I can just feel how it affects me. And that’s a perfectly valid way of appreciating art.

This may sound obvious, but I’m the kind of person who has to read every single word of a book and will rewind podcasts if I miss even a sentence. I’m still working on it—I still have trouble DNF-ing books or skipping songs on an album—but I’m getting there. And gosh darn it, ZAYN has helped me on my journey. Thanks, Mr. Malik!

Conclusion

Well, that does it! I’m officially caught up with ZAYN’s music as of today. Listening to this music has really proven to me that I can enjoy things outside of my comfort zone. Even though R&B isn’t typically my genre of choice, this album was a delight to listen to.

I have to say, doing this kind of casual and no-stakes music review has invigorated me. I really enjoy doing these even though barely anyone reads them. (Hi, Mom! You’re my only faithful Boy Band Music Critic reader… Love ya.) I love reading literature about music and music culture, and this is my attempt to add to that genre if only on a teeny-tiny scale. I have fun doing it, and I hope you had fun reading my attempts at music criticism.

-Ryn PB

Posted in Another New Era, Boy Band Music Critic | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

JJS: An Interactive Story

Content Warning: transphobia, misgendering, queerphobic slurs, doxing, bullying

*How to read, interactive version: The first article has links to the other “sites.” These are also color-coded.

*How to read, static version: Everything is presented in chronological order except for the first article, which acts as a sort of introduction.

K-Pop Trio JJS: Who They Are, What They’re Doing Now, and Why Everyone Cares

Alter the Paradigm Magazine: Pop/Rock Music News

27 July 2024

Last night, K-pop trio JJS debuted their new song “Two, One… Zero” in a dynamic comeback performance on M Countdown. A countdown starting at 10 flashed on the screen, and JJS’s fans, who call themselves JDoubles, shouted along with each subsequent number increasing in volume. When the number reached zero, JJS launched into a loud and fun pop-rock number with the words “Blast Off” shining behind them. This is by far the trio’s most complex song and performance to date.

JJS debuted exactly one year ago under a previously unknown entertainment company called Red Ink Productions with the song “Fly High Spotlight.” JJS is a trio made up of the American-born singer and dancer Jisung, the Korean singer Sangwon, and singer-rapper Jae—whose origins are a bit of a mystery, due to his proficiency in several non-Korean languages. Their somewhat uninspired band name consists of the initials of the three members’ anglicized stage names from oldest to youngest.

Before the release of the “Two, One… Zero” music video a week ago, JJS took a two-month-long break from their activities despite having debuted less than a year before the hiatus’s start. For much of these two months, JJS seemed to disappear completely. Only the most loyal JDoubles perpetuated the band’s online presence, fearing that the trio would disband quietly if no one rallied around them.

JJS has recently been the subject of controversy online for their reluctance to speak out for or against the LGBT+ community. Their oldest member, Jisung, was spotted several times with a “mystery foreigner” in both the United States and South Korea. Internet sleuths discovered the identity of this stranger, who happened to be a transgender American who goes by the name Layne Kaleta. Except for a vague message from Red Ink Productions, the trio has not acknowledged fans’ questions and concerns.  

Perhaps in order to distract from these concerns, or maybe even to address them, JJS had one more trick up their sleeves during their performance.

After the action-packed number, the background dance crew left the stage and the trio stepped up to three mic stands, launching into a ballad entitled “Weeping Willow,” another song from their upcoming album Path of Stars. The lyrics invited listeners into an enchanted garden, a deviation from the cosmic theme fans expected in this album and that their opening number had leaned into.

If this was an attempt at distraction, it failed miserably. With phrases about concealed magic and unexpected love, this song is making fans go crazy online. Many believe these sightings with Kaleta could be a publicity stunt to prepare their fans for a new message of inclusivity. Fan art depicting a willow tree as a guardian of the LGBT+ community has already cropped up online. Other JDoubles believe that these assumptions are farfetched as the lyrics’ themes of hopefulness and finding joy in the face of difficulty appear in many of their previous songs.  

During their post-show livestream, all three members ignored the myriad comments about this issue, and many JDoubles found themselves booted from the chat after posting anything potentially hateful or harmful, from questioning people’s identities to outright slurs. The members carried on like it was any other comeback, and perhaps, to them, it was. After all, JJS are no strangers to being the odd ones out in the K-pop industry.

Along with the bold decision to take an early break, their largely non-Korean fanbase, and the mysterious Red Ink Productions company, JJS’s stage performances are also unorthodox for the genre. As K-pop performances became bigger and bolder, JJS defied the industry and debuted as just three guys on stage with a backing track. The simplicity of their music, and their supposedly democratic power dynamic, struck a chord with a sizeable group of listeners. Their breakout song “Everglow” charted in several different countries, including Germany and Australia, and doubled JJS’s international fanbase despite local JDoubles remaining few in number.   

The trio has since upgraded their performances by adding a backing band on stage instead of just a track, and now for the first time, a dance crew.

Whatever the truth may be, both “Two, One… Zero” and “Weeping Willow” have continued with JJS’s common theme of loving yourself and chasing dreams. And whether or not the band intends to address the LGBT+ community directly or not, these are still messages every JDouble can benefit from.

Update 1: Hours after this article was posted, JJS released an official response to all of the rumors surrounding Layne Kaleta and his involvement with the members of JJS. Not much was revealed, though they did indirectly acknowledge Kaleta as “one of [their] friends.”

Update 2: On Aug. 1, 2024, Layne Kaleta made a public Instagram post confirming his relationship with JJS and reprimanding those who blew up the situation.

Comments

  • Jay Thatcher (she/her): Supporting the queer community shouldn’t make you the “odd one out” or “controversial.” It’s just basic human decency.
  • Nadia Agarwal: Sangwon oppa’s abs. 🥵
  • Mi-Kyung Park: Jae was born in Gwangju! He’s just genius.
    • Québécoise JDouble 🌟🇨🇦: He said in a live that he learned Spanish, French, and Italian just because they were touring Europe.
      • Anneliese Kempf: He spoke a little German in that live, too! Love from German JDoubles!
  • Rosheen Malone: This is old news. I’m tired of hearing about LGBT-this and LGBT-that. Can’t music just be music, and artists just be artists?
    • JDouble_JTrouble: Right? Weeping Willow is not a gay song. Not every song about safe spaces is about gays. They took the rainbow; don’t take our music!
      • Jay Thatcher (she/her): Cishet people are always taking our rights and lives. We just want to share in the color and music of life.
        • JDouble_JTrouble: [comment deleted]
  • 🌈intherainbowspotlight: Can’t wait for the rest of the album! I’m feeling extraterrestrial garden vibes. Anyone else?
    • Jae’s Number One Bae: What does that even mean?
      • 🌈intherainbowspotlight: You know… future civilization living in the stars but still needing the sanctuary of gardens
        • Jae’s Number One Bae: they’re not writing a sci-fi book
          • LifeMovesPrettyFast14196: I would read that book.
            • Everglowgirl020798: me too!
  • FlyingHighforJJS Art🌟: Check out my JJS fanart account!

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JJS:K-Pop or Pop Stars from Korea?

AnonMusicDebates.com/k-pop/JJS

22 May 2024

As part of the Hallyu, or “Korean Wave,” K-pop has become a globally recognized phenomenon in large part thanks to the boyband BTS, who have been serving their mandatory military service over the past year and a half. The boyband’s youngest, Jung Kook, put out an all-English album before beginning service, and during promotions for this album, the phrase “global pop star” was often thrown around. Still, Jung Kook’s music appears on many K-pop playlists, charts, and music shows, as do many hip-hop songs made by Korean artists. Based on this, any music made by a Korean artist could be considered K-pop. But should it be?

This is a topic that has been debated before and in different arenas—is “Young Adult” merely a descriptor or is it now a literary genre? Is pop music just anything that’s popular?

The recently and suddenly announced two-month break of South Korean trio JJS has reignited the “K-pop or not” debate.

Even before this break, there have been many debates around JJS in their ten months of activity, especially in regard to their simplistic performance style and their mysterious company, Red Ink Productions. Red Ink and JJS popped up overnight, and even ten months into business, Red Ink has not debuted any other groups. It has not been lost on netizens that the company’s initialism is RIP and that “red ink” is likely an allusion to the superstition that writing a name in red ink could spell death for that person, though what this could mean is unclear.

JJS follows some but not all of the K-pop industry’s norms. The trio is based in South Korea and uses the Korean language in many of their songs. JJS have performed on music shows and did a typical “debut” followed by a couple “comebacks” and go on livestreams during which they talk to their fans, who call themselves JDoubles, as friends.  

However, JJS does not lean into the K-pop fantasy as much as other bands do. The trio has been forthcoming about the fact that they “operate as a democracy,” rather than having one leader that mediates between company and group. Their CD releases are not the usual packages with photocards and other band-related paraphernalia, nor do they have official light sticks.

They have also managed to keep an almost unreal hold on their personal lives in an industry that lets fans feel entitled to personal information about their idols. Their online presence is fairly limited, and the band has been honest about the reasons for this—mental health and privacy.

This distancing has put a wall between JJS and Korean fans, which has led to much of their fandom existing outside of the country. The band seems to cater to this fanbase by touring largely outside of South Korea—and even outside of Asia. In their ten months as an active group, they have toured South Korea once, Europe and Australia twice, and recently ended a global tour in America rather than South Korea. The band’s music has also become increasingly English-based, though they have always used English in their music due to member Jisung having grown up in California.

So the question here is really, what puts the “K” into K-pop? Is it just that the band making the music is based in South Korea? That the lyrics are in the Korean language? Does that music have to sit soundly in the pop genre or would hardcore rock from South Korea fall under K-pop, as hip-hop music traditionally does? Should they be touring in the country and focusing on local fans? If they don’t, are they merely a global band who happen to be Korean?   

As usual, we’ll have a poll below where you can vote and state your case one way or the other. Remember, everything is anonymous, but keep things respectful!

Poll: Is JJS a K-Pop Band?

Duh! They’re a Korean pop band. – 57%

  • BTS is still considered K-pop and they have songs in all English.
  • Lots of idols are citizens of other countries but are still Korean. Same applies to kpop. This is a stupid debate.
    • Why are you on a site called music debates then?
  • But… kpop is not a genre? It’s pop music made by Korean artists?
    • It sort of is, though. There’s aspects to K-pop that are different than regular pop.
  • I mean they have the intense fans like every other kpop band
  • They wouldn’t be invited to perform on those music shows if they weren’t kpop!

Not really… They’re just musicians from South Korea. – 43%

  • They make good music but it’s more like indie rock than pop.
    • Idk I think it’s pop but they don’t follow the conventions of K-pop
    • They don’t make kpop or good music lol
  • Does it matter? They’re gonna disband anyway.
    • Maybe if they actually take breaks they’ll be able to last longer than bands that only stay together b/c of contracts.
      • Does anyone know if they even have contracts? Red Ink’s site is barebones.
      • Who needs a break after only 10 fucking months?
        • Have you ever seen a kpop idol’s schedule?
  • JJS are disrespectful of kpop. I feel bad for their fans.

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Crazy Fan Scams Idol: JJS’s Jisung Spotted with Mystery Foreigner Again

HangsangKPopNews.com

12 July 2024

Back in February, several foreign fans spotted JJS’s Park Jisung in a café in the United States having a coffee with an unknown person. All information about this person was suppressed by their management company, Red Ink Productions, and fans who tried to do some digging were promptly reprimanded. Most speculated this was just some fan who had won a meeting with Jisung or else a foreign company employee.

However, two days ago, this mystery person was photographed by several fans with Jisung by the sea. After two months without any new JJS music and little content, the JDoubles were excited to see their idol and approached. The foreigner turned away and hung back, hiding their face, but they were still in the background of some of these photos.

The mystery was broken wide open when an anonymous JDouble released information from that first café sighting. The mystery foreigner is an American by the name of Layne Kaleta. Kaleta has reportedly been pretending to be a boy in what many fans think is a ploy to get closer to Jisung and the rest of the group. Others are debating whether letting American and other Western-born performers into K-pop has tainted the industry. As the world becomes more interconnected, could this influx of Western K-pop idols be destroying an important part of modern Korean culture?

Unfortunately, there is little other information about this Layne Kaleta online. She dropped out of university, where she studied astronomy, after one year despite having a spot in the exclusive Honors Society. She is one year older than Jisung, the oldest of JJS, and only has a single private social media account on Instagram where she lists “pronouns” and her name and a single emoji promoting the LGBT+ agenda. No previous connection between Kaleta and JJS has been found, though several American JDoubles reported seeing Kaleta at JJS’s last overseas concert which just so happened to be the night before the café sighting.

JDoubles are eagerly awaiting JJS’s comeback after months away and fear this controversy may delay it, especially if the idols believe they are unsafe. If a crazy fan would go to all this trouble—creating a new identity, flying to another country—who’s to say what other crazy JDoubles will do to get closer to the boy band?

As of this article’s publication, neither Red Ink Productions nor JJS have made an official announcement on this topic.

Comments

  • JDouble_JTrouble: What a pervert! How disgusting. I can’t believe she calls herself a JDouble.
  • Jisungbabybear🌟: OMG, is Jisung okay? Does Layne have something to do with their break?
  • Mi-Kyung Park: Guys, calm down, I’m sure it’s something simple like they said—a company employee or maybe someone Jisung met as a kid in California.
    • parkjisungstan4lyfe: Did anyone else not know Jisung was from California? No wonder his English is so good!
  • Jay Thatcher (she/her): To clear up the blatant transphobia: Layne’s Instagram says his pronouns are he/him and the emoji “promoting the LGBT+ agenda” is a trans flag. “Journalism” like this is disgusting. Stop making queer JDoubles feel unwelcome.
    • JDouble_JTrouble: She’s a girl. That’s how she was born. She’s just mentally ill.
      • Jae’s Number One Bae: Someone should get her help so she realizes what she’s doing is sick.
    • 제이더블한민지❤️🌟JJS: I can’t believe you’re supporting her. She’s lying to Jisung and JDoubles. Jisung can’t be safe around her.
  • Nadia Agarwal: 🏳️‍🌈❤️
    • JDouble_JTrouble: dyke
  • parkjisungstan4lyfe: Everyone’s ignoring the fact that Jisung frequents local cafes on tour. I bet he’s done it before and nobody even knew! JDoubles in that café were lucky!
  • Елизавета Иванов: Jisung oppa is so kind, lovely, and talented. Oppa is JDoubles’ biggest fan, and JDoubles are oppa’s biggest fan. Love you, Jisung oppa!
  • 🌈intherainbowspotlight: Do you think Jisung wrote “Everglow” for Layne? Definitely queer undertones.
    • Sucker_for_Sangwon: Right?? “Don’t hide, don’t falter / let your colors show”?? “Rise above the whispers”?? Gay af.

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K-Pop Idol Jisung of JJS Meets Up with Trans Friend: A Win for Queer K-Pop Fans!

TheDragRag.com

13 July 2024

Though the K-pop trio JJS has hinted at their support of the LGBT+ community before—in lives like these and at concerts, pointing to pride flags and giving thumbs up or hearts, many of their songs encouraging people to be themselves—being queer is still taboo in South Korea. So much so that many major K-pop companies don’t allow their idols to say anything one way or the other. This would ruin the fantasy that the K-pop industry sells to fans, at least for those who dislike the queer community. But for us queer K-pop fans, the fantasy would be so much better! All we want is the support of our idols and other fans.

This topic has recently come into the forefront because of the scandal surrounding JJS’s main dancer Jisung. In February, he was seen with an unknown American person at KC Mugs Café in Kansas City, where JJS ended the American leg of their first world tour. Many forgot about this person, dubbed the “mystery foreigner,” speculating they were just a lucky fan or someone from Jisung’s childhood in California, until a few days ago this same person was spotted with Jisung again, this time in Jisung’s hometown in South Korea. The two were seen enjoying the seaside. A netizen leaked some of this person’s personal information, revealing that he is an American named Layne Kaleta. According to his Instagram bio, Layne is a member of the trans community who uses he/him pronouns. The rest of his account is private.

The JJS fandom, who call themselves JDoubles, are divided on how they feel about the mystery foreigner’s identity. Many are attacking him, claiming he is pretending to be trans to get closer to JJS and displaying the full transphobia of the K-pop fandom community. Others, including myself, are hoping this starts a dialogue at least amongst JDoubles about acceptance of the LGBT+ community in fandoms. The queer community has become more prominent in K-pop fandoms, and even if Layne Kaleta chooses to stay out of the limelight, if JJS openly support the queer community and admit to having personal queer friends, this could be a change for the better in what is becoming a global music community.

Comments

  • JRJlovesJJS: I hope we get to see a live with Layne and Jisung! That would be fun!
  • JDouble_JTrouble: She is disgusting. Ruining the JDouble fandom by endangering our boys.
    • Jay Thatcher (she/her): You aren’t a real JDouble if you don’t accept other JDoubles. Jisung is allowed to be friends with anyone he wants.
      • JDouble_JTrouble: That’s obviously not what I was saying. She’s made friends with him under false pretenses. That’s not a true friend.
        • Jay Thatcher (she/her): You’re not a true fan.
          • JDouble_JTrouble: I am a true fan. You should just go die. Snowflake.
  • Québécoise JDouble 🌟🇨🇦: i knew there was a reason Jisung is my bias! he’s hot and talented and accepting! 🏳️‍🌈 any other bi JDoubles out there?
    • 🌈intherainbowspotlight: Me!🙋🏾‍♀️
    • Bai Meilin: Lesbian JDouble here!
  • FlyingHighforJJS Art🌟: Check out my JJS fanart account!
  • Teddy Clarkson (he/they): I love seeing other trans guys out there living their best lives! Layne, if you’re looking for a trans JDouble friend, DM me!
    • LifeMovesPrettyFast14196: @Teddy Clarkson (he/they) hmu too! I’m also a he/they JDouble!
    • Ace the Gayest: They/them JDouble over here!
    • JDouble_JTrouble: [comment deleted]
  • Nadia Agarwal: So pretty, Jisung oppa! Sea air making you shine brighter.
  • [account deactivated]: [comment deleted]
  • Everglowgirl020798: Representing for the JDouble trans women! She/her!

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Official Message from Red Ink Productions

rip.org/en-kr

15 July 2024

This is Red Ink Productions.

We appreciate messages of concern for the safety of our artists. Rest assured that JJS’s safety is of utmost importance as it has always been.

JJS would like us to remind you to be concerned for other JDoubles’ safety, too. Any attempts to release someone else’s private information or spread harmful rumors will be met with immediate expulsion from the JJS Official Fansite and potential legal action.

Please respect the artists’ privacy and the privacy of their friends and family. Thank you for your support and cooperation.

Comments are disabled on this post.

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Comeback Announcement from JJS

instagram.com/JJSband/

19 July 2024

Hello, our lovely JDoubles!

We are happy to announce our comeback on M Countdown in one week with a performance of our new song “Two, One… Zero,” the title track of our upcoming album, Path of Stars. We are excited to see JDoubles in person after two whole months without you, and to celebrate our first anniversary with our favorite people.  

Today, we are releasing the “Two, One… Zero” mv as a gift. Thank you for being patient and allowing us to take a break so we can give you the best performances possible. Please give the new song lots of love. We can’t wait to blast off on this new leg of our journey with you all.

Shine bright, shine always.🌟 Love, JJS.

            -Jisung, Jae, & Sangwon.

Comments

  • JRJlovesJJS: Is Layne still in Korea with you? Will he be at the show?
    • JDouble_JTrouble: I hope not! The company promised to keep the boys safe.
      • JRJlovesJJS: Who says Layne is a threat?
    • Mi-Kyung Park: I’ll be there! I can look for him if I can take my eyes off Sangwon’s abs.😍
    • Anneliese Kempf: Who is Layne?
  • Nadia Agarwal: Wonderful gift from our lovely JJS!
  • Jisungbabybear🌟: Are you okay, Jisung oppa? Has the company been keeping you safe?
  • 임의의_사용자_이름: Vocals – 100% Dancing – 100% Visual – 100% Jisung – 100% Jae – 100% Sangwon – 100% JDoubles – 100% JJS – 100%
  • FlyingHighforJJS Art🌟: Check out my JJS fanart account!
    • Anneliese Kempf: Followed!
  • 제이더블한민지❤️🌟JJS: Why won’t you talk about the crazy fan? The one pretending to be a boy? Did the company press charges? Is that why they can’t discuss it?
    • Québécoise JDouble 🌟🇨🇦: remember our boys told us to respect privacy! it is not our business unless they share.  
  • لافيزا زكريا: mv is amazing! Sangwon look so beautiful with pink hair. Like a flower. Listening on repeat!

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Path of Stars Tracklist

JJSOfficial.org/albums/path-of-stars

  1. Intro: Ghost (Jae solo)
  2. Two, One… Zero
  3. The Speed of Light
  4. Ess (Sangwon solo)
  5. Do You Know?
  6. Fireflies (Light Up the Night)
  7. Weeping Willow
  8. Waiting for Fate
  9. Green Tea and Sweet Honey (Jisung solo)
  10. Outro: Whispers of Tomorrow
  11. Two, One… Zero (BallPit Remix)

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Official Message from JJS

instagram.com/JJSband/

27 July 2024

Hello, our lovely JDoubles!

Over the past few months, there have been some rumors floating around about one of our friends and what their intentions might be. We want to assure you that if we felt we were in any danger, we would not put ourselves back into that situation again and again.

We do not want this controversy to make any JDoubles uncomfortable in our community. We love performing for you and with you, and we would never do anything to jeopardize that. We ask that you trust us—and our loved ones—in the present and future, as you have trusted us in the past.

We decided to perform “Weeping Willow” at our comeback to invite new and old JDoubles under the branches of our music, somewhere all JDoubles can replace their fears with dreams, their realities with magic.  

JDoubles are our family, and as our family, we know you want us to be safe and healthy. JDoubles have made us who we are, and we are honored that you have made a place in your hearts and lives for us.

Please remember that, even though we are your idols first and always, we are human, too. We are not perfect, nor are our friends and family. We cannot always say everything we want to say or do everything we want to do.

If we can all respect each other’s humanity, JDoubles and JJS will continue to shine for all the world to see.  

Shine bright, shine always. 🌟 Love, JJS.

            -Jisung, Jae, & Sangwon.

 Comments are disabled on this post.

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“Weeping Willow” by JJS

JJSOfficial.org/lyrics/weeping-willow

Lyrics and music written by Park Jisung, Kim Sungjae, & Lee Sangwon

Verse 1

A secret grove where the stars align

A Weeping Willow hangs her branches low

An enchanting space where shadows embrace,

And leaves fall like stories to the garden floor.

Pre-Chorus

The veil falls away

Moonlight unravels

In the garden of forgotten joys

Under the lace of the Willow’s leaves

Teardrops of gold and secrets of old

Transform words unsaid into melodies so sweet.

Chorus

Six feet beneath the stars, still freefalling

A hidden door opens to the realm of dreams

Where moonbeams sing, where music soothes fears

And the Weeping Willow’s rhythm dances beneath our feet

Verse 2

Lost in the maze of who you are

Open the door; find what’s inside.

Listen to the harmony of your own echo

Blowing through the branches of the Weeping Willow

Pre-Chorus

The veil falls away

Moonlight unravels

In the garden of forgotten joys

Under the lace of the Willow’s leaves

Teardrops of gold and secrets of old

Transform words unsaid into melodies so sweet.

Chorus

Six feet beneath the stars, still freefalling

A hidden door opens to the realm of dreams

Where moonbeams sing, where music soothes fears

And the Weeping Willow’s rhythm dances beneath our feet

Bridge

Stories untold turn to love unexpected

Promises unkept turn to wishes fulfilled

By an alchemy of hearts and the magic of hope

Time that is lost is found again

Verse 3

The wind and the moon make room for the stars

Shine holy light on the Weeping Willow

Guarding porcelain hands and granite souls

Behind doors only you can find.

Outro

But this graceful giant won’t cry for you

To the ground below, her fleeting tears fall

For the secrets and the tales

Only a lonely Willow can know.

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Layne’s Response

instagram.com/always_changing_laynes/

1 August 2024

Please swipe to read the whole message. -Layne K

Comments are limited on this post.

  • JJSband: Aw, man, after I brought you to the seaside and everything? -Jisung
    • always_changing_laynes: Sorry, man, I just couldn’t resist Sangwon’s charms. 😉
      • JJSband: My powers of charm is too strong…😘 -Sangwon
  • Nina Santos: Love you, roomie! Thanks for letting me drag you to concerts.
    • always_changing_laynes: ❤️

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Author’s Note:

Thanks for reading! I try not to over-explain my writing on here, but I do have a few things I want to make clear about this particular piece because it became more complex than I’d intended it to be.

I used ChatGPT to assist me in writing the “Weeping Willow” lyrics as I am not a songwriter. I used only suggestions and small phrases. Even so, apologies to everyone who writes actual lyrics and can probably tell I didn’t put the words to music.

Some of the comments use “broken” English. I was trying to convey a more global comments section, as I often see many different dialects of English in comments online and autotranslated text isn’t always accurate. I did not intend to make any specific community’s members or country’s citizens seem unintelligent. If I did, I am deeply sorry and will endeavor to do better in the future.

I hope you enjoyed my “what if a K-pop band openly supported the trans community” thought experiment!

-Ryn PB

Posted in Another New Era, Fiction Short Stories, LGBT+, original writing | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Boy Band Music Critic 6: Agust D & Louis Tomlinson

Introduction

In early 2021, when half the world was still taking COVID-19 seriously and the other half were pretending it never happened and wasn’t happening, I started listening to One Direction. And 5 Seconds of Summer. And eventually BTS. My mind wanted something fun and simple and easy to consume: the pop/rock boy band.

At this point, along with the pandemic still taking a toll, my life was in a period of extra upheaval, and I figured out a fun way to (not) deal with it was to review the solo and side projects of current and former boy band members. I would get a little tipsier than usual, open up Spotify and Genius lyrics, and start live-tweeting my reactions. Lately, I’ve been missing doing these little one-person listening parties, but not enough to get a new Twitter account (er, X account, I guess).

And here we are. I’ve retrieved my Boy Band Music Critic hat from the back of my closet. Before I can wear it again, however, I need to readjust it to make sure it fits. So before this year is over, I’ll be going over my old tweets and consolidating them here so I don’t have to do repeat reviews.

In this post, I’ll be tackling the rest of the boy band solo projects that I reviewed on Twitter, song by song. So buckle up, it’s gonna be a long trip through the (mostly) unedited thoughts of 2022 Ryn.

Agust D by Agust D (reviewed September 5, 2022)

I was going to try to finish the 5SOS solo projects first, but I’m fully in my K-pop era, so I’m going to listen to BTS Suga’s first solo album as Agust D. Gonna listen and read a translation at the same time. Let’s do it! I’m going to use translations from doolset lyrics, as they’re the best ones I’ve found so far!

“Intro: DT sugA (Feat. DJ Friz)”: Omg, this got me HYPED. I can see why this is first! It’s kinda like how AJR do their “Overture” tracks that sample songs from the album and make an exciting mashup.

Agust D”: There’s something next level about someone spelling their name and then basically saying, “you should be glad I’m in the K-pop industry because I’m a better rapper than you.” DAMN. And the mocking “I’m sorry” before describing how cool he is: NEXT LEVEL. SAVAGE. I LOVE IT. A note from 2023 Ryn here: This song samples “It’s a Man’s Man’s Man’s World” by James Brown.

give it to me”: Okay, this is the badass “I worked hard for my success, fuck the haters” song I needed right now. “아직은 성공의 비법은 몰라도 망하는 비법 잘 알 것 같어.” (“Though I don’t know the recipe of success yet, I feel like I know the recipe of failure well.”)

Suga’s fight for his dreams is super inspirational. Sometimes it feels like the world doesn’t work the way I’d like it to, and seeing people like Suga succeed helps me see that there’s always a path I can carve for myself.

“skit”: I don’t have much to say about the “Skit” but that I love a good sibling relationship. I’m not a huge fan of the whole “skit” thing in mixtapes, but people must like them because they pop up in a lot of rap albums. Also in a few BTS albums, which makes a lot of sense when you consider the first three members to join are all rappers.

“724148”: “724148” tells the story of Suga’s foray into the music world and moving to Seoul as a kid from Daegu without much money. Suga’s story of giving up a lot—comforts, family support, etc.—and seeing the injustice of the world while trying to reach his dream = inspiring.

“140503 새벽에 (At Dawn)”: Omg, the various “uuuugggghhhh” noises are already the most relatable thing I’ve ever heard in an album.

OOF so many of these lyrics hit me hard. Basically he’s describing his social anxiety and how he hides behind a wall, pushing people away, pretending everything’s fine even though he wants connection. The anxiety noises at the beginning of the track make more sense now that I know the lyrics. Admitting that you feel lonely, despite acting strong and pretending you need no one, is hard. Anyone would hesitate. Loneliness when you feel like you shouldn’t be lonely is tough. #relatable

마지막 (The Last)”: Creepy breathing and noises from the start: let’s get into our emotions!

WOW this song touches on so many of the dark thoughts I’ve had (and still sometimes have, tbh) that I’m almost crying… This is the kind of sentiment I hope I can say one day: That the suffering was bad and maybe not necessary and maybe not worth it, but I survived. Here I am, living a dream, because I persevered. I tried to give up, life didn’t let me, so here I am, making the best of it. Trying hard. Damn, 2022 Ryn… That’s kinda dark and hopeful at the same time.

“Tony Montana (Feat. Yankie)”: So… I’ve never seen Scarface and had to look up who Tony Montana is. Apparently he’s an Al Capone-inspired character played by Al Pacino. The “say hello to my little friend” guy. Alright, let’s get into the song.

Again, I have concluded that Suga is a BADASS. Admitting that he feels like he’s succeeded but sometimes also like he stepped on some toes to get there. Hopes that his dreams aren’t at the detriment of others. A “fuck the haters, but I’m not the only one who can/should succeed.” There’s also a version of this song with Jimin of BTS.

“Interlude: Dream, Reality”: Okay, piano. We love a dramatic piano moment. An intense piano/choir ballad moment just saying “dream” is extremely powerful and I don’t know how to explain why.

“so far away (Feat. SURAN)”: OOOOOFFFFFF. It’s hard for me to comment on this song without revealing too much of my inner life. Let’s just say that a lot of this song resonates with me.

It’s a somewhat hopeless-sounding song that really tells the listener to dream, hope for more. Life is hard, especially when you live with mental illness and/or other obstacles, but you’re allowed to hope for more. You should hope for more. Even if it seems far-fetched, there’s still hope.

Final Thoughts: I’ve concluded that Suga a.k.a. Agust D has a “fuck you, but I’m actually vulnerable” vibe. He embodies the idea that trying hard and chasing your dreams isn’t all roses and daisies. It can be rough, disheartening, soul-sucking. But worth it if you succeed.

A++ for the Agust D mixtape. Rap music is something that either hits me hard or completely misses, and almost this entire mixtape penetrated my soul. Weird way to put it, 2022 Ryn, but true, I guess. The fact that it could do this even in a language I’m not fluent in is amazing.

This whole mixtape gives me that feeling of relating to the artist while also feeling inspired by him, which is really all you can ask for from media you consume. Anyway, I’m done stanning Agust D for now. Who knew I could ever be so into rap in a language I don’t know (yet)? I know a little more now, but still not much.

Bonus Thought: Not to spoil whenever I listen to RM’s solo stuff, but YouTube just auto-played “forever rain” and it’s making me cry. Can’t tell if I’m emotional today or the BTS rappers make great music or both but my emotions are out of control right now. Why is music so freakin’ powerful?

“Bigger Than Me” by Louis Tomlinson (reviewed September 8, 2022)

This is a song from Tomlinson’s album Faith In The Future. Tomlinson released it as a single, and I deleted Twitter before the whole album came out, so this is the only song I reviewed from it.

“Bigger Than Me”: Ooh, this is a stadium song. I can see this being performed in front of a crowd of people waving their phone lights. If this is what the whole album is like, it’s going to be an introspective journey of maturing. This song has epic ballad vibes, and it seems to be about change: that changing doesn’t mean you lied, and that you need to adapt to the world in your own way to survive.

Bigger Than Me” feels like a natural sequel to the album Walls, especially songs like “Fearless” and “Defenceless.” I can see that it’s a similar message but broader scope, an exploration of the self in the context of the world around that self. Excited for more!

Conclusion

Well, that does it for pre-2023 Ryn! I’ve finally adjusted my Boy Band Music Critic hat to the perfect size and can start reviewing some more music. This new era of Boy Band Music Critiques will be just as casual as this old one, but hopefully better researched. I’m also hoping to get into some 1990s and early 2000s boy band solo projects rather than just the more current ones. There’s so much more boy band fun out there to be had!

-Ryn PB

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